Camera politica : the politics and ideology of contemporary Hollywood film

著者

書誌事項

Camera politica : the politics and ideology of contemporary Hollywood film

by Michael Ryan and Douglas Kellner

Indiana University Press, 1990, c1988

1st Midland book ed

  • :
  • : pbk

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注記

Bibliography: p. 321-324

Includes index

内容説明・目次

巻冊次

: pbk ISBN 9780253206046

内容説明

" a modern mythography, a study of contemporary Hollywood films based on the tools offered by feminism, psychoanalysis, Marxist cultural theory, and deconstruction." -Village Voice "Solidly thought-out observation of the films of the 70's and 80's that comment on the system." -Audience " . . . intelligent, open advocacy. Its responsible arrangement of carefully described cultural materials will challenge students and instructors alike." -Teaching Philosophy Camera Politica is a comprehensive study of Hollywood film during a period of tremendous change in American history, a period that witnessed the end of the American empire, crises in the economy, a failure of political leadership, loss at war, and the rise of the Right.

目次

Preface Introduction 1 From Counterculture to Counterrevolution, 1967-1971 1. Alienation and Rebellion 2. Feminism, Black Radicalism, Student Rebellion 3. The Hollywood Counterrevolution 2 Crisis Films 1. Diaster Films 2. Metaphors of Fear 3. Francis Coppola and the Crisis of Patriarchy 3 Genre Transformations and the Failure of Liberalism 1. Western, Detective, Musical 2. Social Problem Films 3. Conspiracy Films 4 Class, Race, and the New South 1. The Hollywood Working Class 2. Representations of Blacks 3. The New South 5 The Politics of Sexuality 1. The Poisiton of Women 2. From a Male Point of View: Men's Movies and the Return of Romance 3. The Family and the New Sexuality 6 Horror Films 1. The Occult 2. Monsters 3. Brian De Palma and the Slash and Gash Cycles 7 Vietnam and the New Militarism 1. Debating Vietman 2. The Military Rehabilited 3. The New Militarism 8 Return of the Hero: Entrepreneur, Patriarch, Warrior 1. The Triumph of Individualism-From Man to Superman 2. George Lucas's Strategic Defense Initiatives 3. The Leadership Principle-From Movie Brats to Movie Moguls 9 Fantasy Films 1. Technophobia 2. Dystopias 3. At Home with Steven Spielberg 10 The Politics of Representation 1. On the Left Edge of Hollywood 2. Within the Hollywood Codes: Political Films 3. Beyond Hollywood: The Independent Sector Conclusion: Film and Politics Postface Appendix Notes Selected Bibliography Index
巻冊次

: ISBN 9780253313348

目次

Preface Introduction 1 From Counterculture to Counterrevolution, 1967-1971 1. Alienation and Rebellion 2. Feminism, Black Radicalism, Student Rebellion 3. The Hollywood Counterrevolution 2 Crisis Films 1. Diaster Films 2. Metaphors of Fear 3. Francis Coppola and the Crisis of Patriarchy 3 Genre Transformations and the Failure of Liberalism 1. Western, Detective, Musical 2. Social Problem Films 3. Conspiracy Films 4 Class, Race, and the New South 1. The Hollywood Working Class 2. Representations of Blacks 3. The New South 5 The Politics of Sexuality 1. The Poisiton of Women 2. From a Male Point of View: MenOs Movies and the Return of Romance 3. The Family and the New Sexuality 6 Horror Films 1. The Occult 2. Monsters 3. Brian De Palma and the Slash and Gash Cycles 7 Vietnam and the New Militarism 1. Debating Vietman 2. The Military Rehabilited 3. The New Militarism 8 Return of the Hero: Entrepreneur, Patriarch, Warrior 1. The Triumph of Individualism--From Man to Superman 2. George LucasOs Strategic Defense Initiatives 3. The Leadership Principle--From Movie Brats to Movie Moguls 9 Fantasy Films 1. Technophobia 2. Dystopias 3. At Home with Steven Spielberg 10 The Politics of Representation 1. On the Left Edge of Hollywood 2. Within the Hollywood Codes: Political Films 3. Beyond Hollywood: The Independent Sector Conclusion: Film and Politics Postface Appendix Notes Selected Bibliography Index

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