The art of Renaissance Venice : architecture, sculpture, and painting, 1460-1590
著者
書誌事項
The art of Renaissance Venice : architecture, sculpture, and painting, 1460-1590
University of Chicago Press, 1990
- : hbk
- : pbk
- タイトル別名
-
Venedig, die Kunst der Renaissance
- 統一タイトル
-
Venedig, die Kunst der Renaissance
大学図書館所蔵 全17件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 353-369
Includes index
内容説明・目次
- 巻冊次
-
: hbk ISBN 9780226361079
内容説明
In the first contemporary single-volume survey of the three arts of Venice painting, sculpture, and architecture Norbert Huse and Wolfgang Wolters offer an important counterbalance to the traditional orientation toward painting as the city's preeminent art by focusing on architecture as the essential Venetian art. They begin their study in 1460, when Venice was one of the key powers of Italy, and end with the death of Tintoretto in 1594, a period of waning international power. In the process, they define the distinctly Venetian terms by which the city and its culture should be understood. With over three hundred illustrations and an exhaustive bibliography, this volume makes an impressive contribution to art historical scholarship. "The historical aspect of this book is splendid, but where it excels is in its fearless and thought-provoking critical judgements. . . . it will lead both beginners and experts to new joys." David Ekserdjian, "Times Literary Supplement" "
- 巻冊次
-
: pbk ISBN 9780226361093
内容説明
In the first contemporary single-volume survey of the three arts of Venice--painting, sculpture, and architecture--Norbert Huse and Wolfgang Wolters offer an important counterbalance to the traditional orientation toward painting as the city's preeminent art by focusing on architecture as the essential Venetian art. They begin their study in 1460, when Venice was one of the key powers of Italy, and end with the death of Tintoretto in 1594, a period of waning international power. In the process, they define the distinctly Venetian terms by which the city and its culture should be understood. With over three hundred illustrations and an exhaustive bibliography, this volume makes an impressive contribution to art historical scholarship. "The historical aspect of this book is splendid, but where it excels is in its fearless and thought-provoking critical judgements...it will lead both beginners and experts to new joys."--David Ekserdjian, Times Literary Supplement
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