Opera and its symbols : the unity of words, music, and staging
著者
書誌事項
Opera and its symbols : the unity of words, music, and staging
Yale University Press, c1990
- : pbk
- タイトル別名
-
Opera & its symbols : the unity of words, music, & staging
大学図書館所蔵 全18件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 231-238
Includes index
内容説明・目次
- 巻冊次
-
ISBN 9780300047134
内容説明
The author is a noted musicologist, performer, and writer, known for his book "Wagner's Ring and Its Symbols", and for his reference work "The Interpretation of Early Music". In this book, he discusses the workings of symbolism in opera and the importance of staging an opera in keeping with the composer's intentions. Only in this way, claims the author, can we be faithful to the conscious or unconscious symbolism invested in the work by the composer and librettist.
目次
- Part 1 Principles: a totality of symbols
- words, music, and staging
- compatability on stage. Part 2 Practice: the start of opera
- Monteverdi
- the Age of Reason
- the Enlightenment
- a Masonic vision
- the romantic movement
- Verdi
- early Wagner
- Wagner's "Ring"
- further Wagner
- the last of Wagner
- realism
- Strauss
- the twentieth century
- the prospects for Opera.
- 巻冊次
-
: pbk ISBN 9780300056617
内容説明
Robert Donington, the noted musicologist, performer, and writer, is famous for his influential and provocative book Wagner's "Ring" and Its Symbols, and for his indispensable reference work The Interpretation of Early Music. In this book he discusses the workings of symbolism in opera and the importance of staging opera in keeping with the composer's intentions. Only in this way, says Donington, can we be faithful to the conscious or unconscious symbolism invested in the work by the composer and librettist.
Starting form Carlyle's premise that "it is through symbols that man, consciously or unconsciously, lives, works and has his being," Donington interprets scenes and characters from operas by Monteverdi, Mozart, Verdi, Wagner, Bizet, Puccini, Debussy, Strauss, Stravinsky, Berg, Britten, Tippett, and other composers. Time and again Donington sheds new light on operatic situations that are problematic or have become over-familiar. His lively and wide-ranging work reveals a deep knowledge and love of opera, combined with a rare insight into hidden meanings to be found in music, words, and action.
「Nielsen BookData」 より