Opera and its symbols : the unity of words, music, and staging
Author(s)
Bibliographic Information
Opera and its symbols : the unity of words, music, and staging
Yale University Press, c1990
- : pbk
- Other Title
-
Opera & its symbols : the unity of words, music, & staging
Available at 18 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. 231-238
Includes index
Description and Table of Contents
Description
The author is a noted musicologist, performer, and writer, known for his book "Wagner's Ring and Its Symbols", and for his reference work "The Interpretation of Early Music". In this book, he discusses the workings of symbolism in opera and the importance of staging an opera in keeping with the composer's intentions. Only in this way, claims the author, can we be faithful to the conscious or unconscious symbolism invested in the work by the composer and librettist.
Table of Contents
- Part 1 Principles: a totality of symbols
- words, music, and staging
- compatability on stage. Part 2 Practice: the start of opera
- Monteverdi
- the Age of Reason
- the Enlightenment
- a Masonic vision
- the romantic movement
- Verdi
- early Wagner
- Wagner's "Ring"
- further Wagner
- the last of Wagner
- realism
- Strauss
- the twentieth century
- the prospects for Opera.
by "Nielsen BookData"