Giotto to Dürer : early Renaissance painting in the National Gallery
著者
書誌事項
Giotto to Dürer : early Renaissance painting in the National Gallery
Yale University Press in association with National Gallery Publications, c1991
- : hbk
- : pbk
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注記
Bibliography: p. 391-402
Includes index
内容説明・目次
- 巻冊次
-
: hbk ISBN 9780300050707
内容説明
The collection of Early Renaissance painting in the National Gallery in London is one of the finest and most comprehensive in the world. This book provides a survey of European painting between 1260 and 1510, in both northern and southern Europe, based largely on the National Gallery collection, and is at the same time a guide to the paintings in the Gallery. It is published to coincide with the opening of the Sainsbury Wing in which the Early Renaissance collection will be exhibited. The authors explain the background of relious belief and devotional practice for which many of the paintings were created, and the secular requirements and ambitions which influenced them. They discuss the social context in which art was created and then displayed in the street, the palace or the church; and consider the role of the patron and the dealer. They describe the artist's workshop, consider the role of apprentices and assistance, discuss the influence of guilds and courts and explore the reasons for the introduction of new subjects and techniques and also the survival of traditions. The book goes on to supply an account of the materials and techniques of the early Renaissance artist.
The preparation of panels, the application of gold leaf, the use of tempera and oil paint are all explained on the basis of research. After this introduction, some 70 of the finest and best known paintings in the gallery are examined in detail, including masterpieces by Duccio, Van Eyck, Mantegna, Piero della Francesca, Bouts, Bellini, Memling, Raphael and Leonardo.
目次
- Part 1 The uses of paintings: Western Europe 1250-1500
- maps
- Christian worship and imagery
- civic, dynastic and domestic art. Part 2 The painter: range and status
- the guilds
- contracts and commissions. Part 3 The making of paintings: the workshop members
- premises, tools and equipment
- drawings and props
- panels
- frames
- canvas painting
- grounds
- underdrawing
- gilding
- pigments
- glue size paintings
- egg tempera paintings
- oil painting in the Netherlands
- oil painting in Italy.
- 巻冊次
-
: pbk ISBN 9780300050820
内容説明
This beautiful book provides a survey of European painting in northern and southern Europe between 1260 and 1510. It is based largely on the collection of early Renaissance paintings in the National Gallery in London, one of the finest and most comprehensive collections in the world.
In an extensive introduction the authors explain the background of religious belief and devotional practice for which many of the paintings were created and the secular requirements and ambitions that influenced them. They discuss the social context in which art was created and then displayed in the street, the palace, or the church, and they consider the role of the patron and the dealer. They describe the artist's workshop, consider the role of apprentices and assistants, discuss the influence of guilds and courts, and explore the reasons why new subjects and techniques were introduced and earlier traditions survived. They then supply the first full modern account of the materials and techniques of the early Renaissance artist, drawing on recent research to explain the preparation of panels, the application of gold leaf, and the use of tempera and oil paint.
The book also features a detailed examination of some seventy of the finest and best known paintings in the Gallery, including masterpieces by Duccio, Van Eyck, Mantegna, Piero della Francesca, Bouts, Bellini, Memling, Raphael, and Leonardo. The book is a stimulating and authoritative guide to the paintings in the Gallery-for those who can observe them in person and for those who must view them through the printed page.
Publication of this book coincides with the reopening of the Sainsbury Wing designed by Robert Venturi, in which the Early Renaissance Collection will be newly exhibited.
目次
- Part 1 The uses of paintings: Western Europe 1250-1500
- maps
- Christian worship and imagery
- civic, dynastic and domestic art. Part 2 The painter: range and status
- the guilds
- contracts and commissions. Part 3 The making of paintings: the workshop members
- premises, tools and equipment
- drawings and props
- panels
- frames
- canvas painting
- grounds
- underdrawing
- gilding
- pigments
- glue size paintings
- egg tempera paintings
- oil painting in the Netherlands
- oil painting in Italy.
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