Subjectivity and literature from the romantics to the present day

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書誌事項

Subjectivity and literature from the romantics to the present day

edited by Philip Shaw and Peter Stockwell

Pinter Publishers, 1991

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注記

Papers presented at a conference held at Liverpool University in Oct. 1989

Includes bibliographical references and index

内容説明・目次

内容説明

The distance between Kant and Foucault marks out the philosophical and chronological space within which the textual studies of this book address the complex question of subjectivity in literature. Originally arising from an academic conference held at Liverpool University, these essays represent the work of a new generation of researchers in the vanguard of contemporary literary studies. Combining radical new approaches to established authors in the 'literary canon' as well as pioneering work on important contemporary writers, the subjects treated in this book include Wordsworth, the Bronte's, Wallace Stevens, George Orwell, Philip Larkin, Ray Bradbury, John Folwes, Clarice Lispector, Ian McEwan, Georges Perec and others. A post-script is provided by Professor Vincent Newey.

目次

  • Exceeding romanticism, Philip Shaw
  • is Emily Bronte a woman? - femininity, feminism and the paranoid critical subject, Emma Francis
  • "what language can utter the feeling" - identity in the poetry of Emily Bronte, Kathryn Burlinson
  • epiphany and subjectivity in Charlotte Bronte's "Villette", Susan Watkins
  • "they suck us dry" - a study of late nineteenth-century projections of vampiric women, Sian MacFie
  • Wallace Stevens - an exemplary subject, Carolyn Masel
  • the ideological eye-witness - an examination of the eye-witness in two works by George Orwell, Peter Marks
  • "pretending to be me" - Larkin versus "Larkin", Peter MacDonald Smith
  • language, knowledge, and the stylistics of science fiction, Peter Stockwell
  • narrative voice and focalization - the presentation of the different selves in John Fowles's "The Collector", Dominique Costa
  • feminism, language or existentialism - the search for the self in the works of Clarice Lispector, Barbara Mathie
  • portrait of the subject as a young man - the construction of masculinity ironised in "Male" fiction, Lynda Broughton
  • the spaced-out subject - Bachelard and Perec, Jamie Brassett
  • the death of orality and the rise of the literate "Subject", David Wilson. Postscript, Professor Vincent Newey.

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