Dead secrets : Wilkie Collins and the female gothic
著者
書誌事項
Dead secrets : Wilkie Collins and the female gothic
Yale University Press, c1992
大学図書館所蔵 全17件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 169-195) and index
内容説明・目次
内容説明
Readers have long been enthralled by the novels of Wilkie Collins, whose The Moonstone is considered the first modern detective novel. This book by Tamar Heller-the most comprehensive study of Collins's work ever written--places Collins within Victorian literary history, showing how his fiction transforms the conventions of the traditionally female genre of the Gothic novel and can be read as a critique of the gender and class distinctions that structured Victorian society.
Heller offers an insightful account of the ways in which Collins's work in the female Gothic tradition influenced his characteristic themes and imagery. She also explores how this association with the genres of the Gothic and with controversial "sensation fiction" linked Collins with women writers and literary and social marginality during an era when novel writing was increasingly a male-defined and male-dominated profession. Heller argues that Collins's fictions reflect his own contradictory status as a Victorian writer; his novels focus on the relation of the writer to the literary marketplace and also on the intricate and ambivalent dialectic of masculine literary authority and feminine marginality.
This study of Collins makes an original contribution to feminist literary criticism by demonstrating its value for the reexamination of an important male writer. In addition, by exploring the complexity of the relationship of a male writer to a feminine literary tradition, the book breaks new ground in the study of literary influence and in critical discussions of the literary canon.
目次
- Introduction - dead secrets
- reigns of terror - the politics of the female gothic
- becoming an author in 1848 - history and the gothic in the early works of Wilkie Collins
- "Basil" - femininity, "Ressentiment" and the male artist
- writing after dark - Collins and Victorian literary culture
- "The Woman in White" - portrait of the artist as a professional man
- blank spaces - ideological tensions and the detective work of "The Moonstone".
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