Israel at Vanity Fair : Jews and Judaism in the writings of W.M. Thackeray
Author(s)
Bibliographic Information
Israel at Vanity Fair : Jews and Judaism in the writings of W.M. Thackeray
(Brill's series in Jewish studies, v. 2)
E.J. Brill, 1992
- : cloth
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [427]-432) and index
Description and Table of Contents
Description
The book seeks, for the first time in any language, to combine Thackeray's many depictions of, and comments on, Jews and Judaism, from Old Testament times to his own present, into a coherent, chronologically ordered narrative. Texts and early versions that have not found their way into the collected editions are considered alongside well-known passages from Barry Lyndon, Vanity Fair, The Newcomes and Rebecca and Rowena. Since Thackeray illustrated many of his own works, graphic illustrations are as carefully chronicled and considered as narrative ones.
The writings and drawings examined are set in a fourfold context: Thackeray's own life, psychological make-up, and developing art and opinions; the social history of Britain and its Jews; British and European literary and graphic conventions, traditions, and stereotypes; and the interplay of prejudice or animus with an essential British fair-mindedness that strives to present as truthful a picture as the author's limited perspectives, or satiric and humorous purposes, will allow.
The book constitutes a substantial addition to the existing body of studies devoted to the image of Jews and Judaism in the work of influential non-Jewish writers and artists.
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