The polyphony of Saint Martial and Santiago de Compostela

著者

書誌事項

The polyphony of Saint Martial and Santiago de Compostela

Theodore Karp

Clarendon Press , Oxford University Press, 1992

  • vol. 1
  • vol. 2

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注記

Includes bibliographical references

Includes index

収録内容

  • vol. 1 Text
  • vol. 2 Edition

内容説明・目次

内容説明

This work proposes a reinterpretation of two major repertories of 12th century polyphony - that associated with the long-destroyed Abbey of Saint Martial de Limoges, and the manuscript preserved in the Cathedral Archive of Santiago de Compostela. Together, these comprise the most important collection of polyphonic music before the School of Notre Dame. The absence of contemporary rules for harmony, rhythm, and notation in this music has led to disagreement among modern scholars as to how this music should be transcribed. This commentary and edition represents a new approach to matters of syllable-change, mensuration, and notation, which are likely to be controversial but which are scrupulously and convincingly defended. The transcriptions themselves should be welcomed by performing musicians, to whom an important repertory now becomes readily available.

目次

  • The origins of a hypothesis
  • the development of a hypothesis
  • text underlay
  • contrasting explanations of the polyphony
  • the historical context of St Martial and Calixtine polyphony
  • the notation of St Martial and Calixtine polyphony
  • the effects of the main hypothesis. Appendices: common intervallic progressions in Calixtine polyphony
  • common intervallic progressions among proses from B.N. lat. 3719
  • common intervallic progressions among proses from B.N. lat. 3549
  • comparable short-range harmonic progressions in the St martial and Notre Dame repertoires.

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