Roland Barthes : the figures of writing

著者

書誌事項

Roland Barthes : the figures of writing

Andrew Brown

Clarendon Press , Oxford University Press, 1992

大学図書館所蔵 件 / 全12件

この図書・雑誌をさがす

注記

Includes bibliographical references (p. [285]-293) and index

内容説明・目次

内容説明

This book focuses on some of the ways Barthes discusses the nature of his own writing. The first two chapters examine the key but ambiguous term of `derive' (`drift'), a word which raises questions about how exactly Barthes's writing develops across three decades, about the `scientific' legitimacy of his concepts, and about his own frequently fraught relation to the scientific discourses around him, especially psychoanalysis. Two typical discursive manoeuvres that structure his writing, `naming' and `framing', are then shown to generate particular aesthetic effects which cause complications for some of his theoretical stances. Barthes's fascination for the idea that all writing is a kind of scribble, closer to the visual arts than to speech, is investigated in depth, and his latent animus against speech as such is made manifest. The final chapter suggests that, for Barthes, `the real' can leave its mark on writing only as a disturbing, indeed traumatic trace.

目次

  • The drifter - losing ground, narratives of emergence
  • frames and names
  • the scribbler
  • excursus - "Contra Vocem"
  • the trauma.

「Nielsen BookData」 より

詳細情報

ページトップへ