書誌事項

Amateurs, photography, and the mid-Victorian imagination

Grace Seiberling with Carolyn Bloore in association with the International Museum of Photography at George Eastman House

University of Chicago Press, c1986

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注記

Bibliography: p. 177-187

Includes index

内容説明・目次

内容説明

In 1851, when photographs were first shown at the Great Exhibition of Arts and Industry, photography was primarily a hobby for well-to-do amateurs. These early photographers were members of the intellectual and aristocratic elite. They had the means, the education, and the leisure to pursue this new art-science with ardent seriousness. They formed societies, such as the Photographic Society and the Photographic Exchange Club, and published journals for the purpose of sharing their discoveries, exchanging photographs, and publicizing the medium. In this highly original and sensitive book about the birth and transformation of photography in Victorian England, Grace Seiberling explores the work of thirty-three amateur photographers. She describes how they affected the development of the medium and set technical, subject, and compositional standards for future generations of photographers.

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