Reflections of revolution : images of Romanticism
著者
書誌事項
Reflections of revolution : images of Romanticism
Routledge, 1993
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注記
Papers from a conference held at the University of Leicester in July 1989
Includes bibliographical references and index
内容説明・目次
内容説明
The essays in this volume provide a varied commentary on British cultural reaction to the French Revolution. The book does not provide an all-embracing account of the relationship between political events and cultural expression, rather the individual essays demonstrate the complex determination of literary and artistic practice. The meanings of the Revolution in France were not carried over in any unmeditated way, but articulated by the concerns of British Romanticism. Similarly, this collection highlights the ways in which present-day interpretations of Romantic culture are "contaminated' by late 20th-century preoccupations. Viewing the past, we become acutely aware of the present. "Reflections on Revolution" provides a body of scholarly and critical work on the art, literature and cultural history of the Romantic period in Britain and France. It is an interdisciplinary study which unites ideas and subject areas which have been little understood and aims to challenge traditional approaches to both art and literature.
目次
- Parts of the body/parts of speech: some instances of dismemberment and healing, David Punter
- Reflections of excess: Frankenstein, the French Revolution, and monstrosity, Fred Botting
- Pantisocracy and the politics of the "Preface" to Lyrical Ballards, Nigel Leask
- Liberty trees and loyal oaks: emblematic presences in some English poems of the French Revolutionary period, William Ruddick
- Radical Sensibility in the 1790s, Chris Jones
- Crabbe's regicide households, Gavin Edwards
- From terror to terror: Dickens, Carlyle and cannibalism, Angus Easson
- "My own mind is my own church": Blake, Paine and the French Revolution, David Bindman
- "David's Brinkdust" and the rise of the British school, William Vaughan
- Spectacular fear and popular arts: a view from the 19th century, Claudine Mitchell
- Breaking the code: interpreting French Revolutionary iconoclasm, Richard Wrigley.
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