New British poetries : the scope of the possible
著者
書誌事項
New British poetries : the scope of the possible
Manchester University Press , Distributed exclusively in the USA and Canada by St. Martin's Press, c1993
- : hbk
- : pbk
大学図書館所蔵 全19件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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注記
Bibliography: p. 232-233
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
: hbk ISBN 9780719034855
内容説明
Offers views on the state of British poetry, not least among which is one that views it as having become too "parochial, self-comforting, serviceable, content to address no public outside the tight little islands". Black poets, women's writing, subjectivity and more are addressed.
目次
- Introduction - "The scope of the possible". Part 1 Mapping the field: mapping the UK little magazine field, Roger Ellis
- (the British poetry revival revisited, Eric Mottram
- ) "How long have you been here?" - black poetry in Britain, Fred D'Aguiar. Part 2 Poetics - politics - procedures: "Who am I to speak?" - the politics of subjectivity in recent British poetry, Peter Middleton
- producing the unknown - language and ideology in contemporary poetry, Robert Hampson
- the paper city - women, writing and experience, Helen Kidd. Part 3 Case studies: the heart of saying - reflections on the poetry of Gael Turnbull, David Miller
- Allen Fisher and "content-specific" poetry, Peter Barry
- Lee Harwood and the poetics of the open work, Robert Sheppard.
- 巻冊次
-
: pbk ISBN 9780719046926
内容説明
Shakespeare's history plays have always been pivotal to our understanding of his works. This collection renews attention to these crucial plays by exploring official and unofficial versions of the past, histories and counter-histories in the plays of Shakespeare and his contemporaries. By exploring the diversity of Shakespeare's engagement with history in all its forms, these contributors open up a range of new interpretive possibilities for understanding the way history 'plays' with the past.
The book is divided into three sections: Memory and mourning, Counter-histories, Identity and performance. In each section, leading theorists, historicists and performance critics offer fresh perspectives on the key issues that are transforming our understanding of Shakespeare. These include: gender and violence, the mapping of Britain, cultural memory and religion.
This collection will appeal to all critically engaged readers of Shakespeare. In particular it will command wide-ranging interest from undergraduates, postgraduates, academic researchers and students of early modern theatre, history and culture. -- .
目次
- Introduction - The scope of the possible. Part 1 Mapping the field: The British poetry revival, 1960-75, Eric Motram
- have you been here long? - black poetry in Britain, Fred D'Aguiar
- mapping the UK little magazine field, Roger Ellis. Part 2 Poetics - politics - procedures: Who am I to speak? - the politics of subjectivity in recent British poetry, Peter Middleton
- producing the unknown - language and ideology in contemporary poetry, Robert Hampson
- the paper city - women, writing and experience, Helen Kidd. Part 3 Case studies: the heart of saying - the poetry of Gael Turnbull, David Miller
- Allen Fisher and "content-specific" poetry, Peter Barry
- Lee Harwood and the poetics of the open work, Robert Sheppard.
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