Writing and vulnerability in the late Renaissance
Author(s)
Bibliographic Information
Writing and vulnerability in the late Renaissance
Stanford University Press, 1993
Available at 15 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
Combining historical and theoretical sophistication with close readings of major Renaissance texts, this book argues that late-sixteenth- and early-seventeenth- century writers were far more vulnerable to the secular and ecclesiastical authorities on whom they depended for their livelihoods than were writers of an earlier era. The book also explores the creative strategies that the vulnerable authors developed to protect themselves from those authorities. Particularly striking is the fact that writers increasingly turned in the course of their careers to alternate sources of legitimation and protection in the form of various peripheral communities such as the convent, the artisanal society, the acting company, the theater-going public, and circles surrounding but not synonymous with the Renaissance court. In fact, this book shows that these protective communities ultimately enabled writers to produce a disturbing and distinctive literature in an era when authorship conceived in terms of literary property or individual genius was as of yet nonexistent.
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