Modernism in dispute : art since the Forties
著者
書誌事項
Modernism in dispute : art since the Forties
（Modern art--practices and debates）
Yale University Press, c1993
- : cloth
- : paper
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注記
Includes bibliographical references (p. [257]-260) and index
内容説明・目次
- 巻冊次
-
: cloth ISBN 9780300055214
内容説明
This volume is part of a four-volume series about art and its interpretation in the 19th and 20th centuries. The books provide an introduction to modern European and American art and criticism that should be valuable both to students and to the general reader. This, the final volume in this series discusses how American art evolved from the social realism prevalent during the 1930s to a predominantly abstract art after the war, relates this change to America's growing economic and political dominance of the post-war world, and constrasts the abstraction of American art with the persistently realistic art of France. The authors then review the era of high Modernism in the 1960s and the challenge to Modernism by movements such as Minimal art, Land art, and Conceptual art, and they consider the moves to develop an art of overt social purpose in the wake of widespread criticism of Modernist claims for the autonomy of art. The book concludes by considering the implications of the Postmodernism debate for the practice of art today.
- 巻冊次
-
: paper ISBN 9780300055221
内容説明
This, the final volume in this series discusses how American art evolved from the social realism prevalent during the 1930s to a predominantly abstract art after the war, relates this change to America's growing economic and political dominance of the post-war world, and constrasts the abstraction of American art with the persistently realistic art of France. The authors then review the era of high Modernism in the 1960s and the challenge to Modernism by movements such as Minimal art, Land art, and Conceptual art, and they consider the moves to develop an art of overt social purpose in the wake of widespread criticism of Modernist claims for the autonomy of art. The book concludes by considering the implications of the Postmodernism debate for the practice of art today.
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