Experimental animation : origins of a new art

書誌事項

Experimental animation : origins of a new art

[edited by] Robert Russett and Cecile Starr

(A Da Capo paperback)

Da Capo Press, 1988, c1976

Rev. ed

この図書・雑誌をさがす
注記

Filmography: p. 215-216

Bibliography: p. 213-215

Includes index

内容説明・目次

内容説明

From the early abstract animation films created at the start of this century to the latest in technologically oriented films, here is a comprehensive anthology of cinematic animation. It brings together over 50 interviews and first-person accounts that describe the work of 38 innovative artist-filmmakers. Such pioneers as Alexander Alexeieff and Claire Parker, Hans Richter, Vicking Eggerling, and Oskkar Fishinger are alongside the recent avant-garde of Robert Breer, Harry Smith, Stan VanDer Beek, Peter Foldes, and Ed Emschweiller. With nearly 300 illustrations, a filmography, a glossary of technical terms, and a list of distributors, this is the first important sourcebook for an emerging art.

目次

  • Notes on the Origins of New Art
  • On the Changing History of Experimental Animation
  • The Widening Circles
  • The New Technologies
  • Implications for the Future Pioneers of Abstract Animation in Europe
  • A Note on the Origins of Animation - Lopold Survage, Walter Ruttmann, Viking Eggeling, Hans Richter, Oskar Fischinger, Len Lye
  • Pioneers of Pictorial Animation in Europe - Lotte Reiniger, Berthold Bartosch, Alexander Alexeieff and Claire Parker
  • Pioneers of Abstract Animation in America - Mary Ellen Bute, Douglass Crockwell, Dwinell Grant, Francis Lee
  • Norman McLaren and the National Film Board of Canada - Norman McLaren
  • Contemporary Imagists - Robert Breer, Harry Smith, Carmen DAvino, Jerome Hill, Tony Conrad, Larry Jordan, Paul Sharits
  • Experimenters in Animated Sound - Norman McLaren, John Whitney/James Whitney, Barry Spinello Animation and New Technology, John Whitney, Ken Knowlton/Lillian Schwartz, Stan VanDerBeek, Peter Foldes, Ed Emshwiller

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