Experimental animation : origins of a new art
著者
書誌事項
Experimental animation : origins of a new art
（A Da Capo paperback）
Da Capo Press, 1988, c1976
Rev. ed
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注記
Filmography: p. 215-216
Bibliography: p. 213-215
Includes index
内容説明・目次
内容説明
From the early abstract animation films created at the start of this century to the latest in technologically oriented films, here is a comprehensive anthology of cinematic animation. It brings together over 50 interviews and first-person accounts that describe the work of 38 innovative artist-filmmakers. Such pioneers as Alexander Alexeieff and Claire Parker, Hans Richter, Vicking Eggerling, and Oskkar Fishinger are alongside the recent avant-garde of Robert Breer, Harry Smith, Stan VanDer Beek, Peter Foldes, and Ed Emschweiller. With nearly 300 illustrations, a filmography, a glossary of technical terms, and a list of distributors, this is the first important sourcebook for an emerging art.
目次
- Notes on the Origins of New Art
- On the Changing History of Experimental Animation
- The Widening Circles
- The New Technologies
- Implications for the Future Pioneers of Abstract Animation in Europe
- A Note on the Origins of Animation - Lopold Survage, Walter Ruttmann, Viking Eggeling, Hans Richter, Oskar Fischinger, Len Lye
- Pioneers of Pictorial Animation in Europe - Lotte Reiniger, Berthold Bartosch, Alexander Alexeieff and Claire Parker
- Pioneers of Abstract Animation in America - Mary Ellen Bute, Douglass Crockwell, Dwinell Grant, Francis Lee
- Norman McLaren and the National Film Board of Canada - Norman McLaren
- Contemporary Imagists - Robert Breer, Harry Smith, Carmen DAvino, Jerome Hill, Tony Conrad, Larry Jordan, Paul Sharits
- Experimenters in Animated Sound - Norman McLaren, John Whitney/James Whitney, Barry Spinello Animation and New Technology, John Whitney, Ken Knowlton/Lillian Schwartz, Stan VanDerBeek, Peter Foldes, Ed Emshwiller
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