Theatre in Latin America : religion, politics, and culture from Cortés to the 1980s
著者
書誌事項
Theatre in Latin America : religion, politics, and culture from Cortés to the 1980s
Cambridge University Press, 1993
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  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
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注記
Includes bibliographical references (p. 214-223) and index
内容説明・目次
内容説明
In this book Adam Versenyi explores the history of Latin American Theatre from pre-Columbian days to contemporary drama. Theatre in Latin America has historically been a powerful force for social change and has frequently combined religious and political concerns with performance practice to create a style of drama unique to the region. In this fascinating account, Versenyi investigates this special interconnection of religion, politics and theatre, and finds this relationship present from the earliest contacts between Cortes and the Aztecs through Spanish-influenced theatre to the politically charged contemporary drama of Cuba, Argentina, Chile and elsewhere. The volume offers a detailed understanding of how theatrical, political and theological elements have consistently intertwined in Latin American history and why that has been the case. All quotations are translated into English and the book contains an appendix of playwrights. It will be of interest to scholars and students of theatre history, Latin American and Spanish studies and theology.
目次
- 1. Religion, politics and theatre: Cortes greets the Twelve Franciscans
- 2. Church, colonialism, and theatre in Latin America
- 3. Homegrown Empire: the contradictions of an emerging region
- 4. Religion, politics and theatre: the twentieth century and the return of ritual
- 5. Liberation theology and liberation theatre: the convergence of parallel lines
- Conclusion
- Appendix
- Latin American playwrights
- Bibliography
- Index.
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