On the museum's ruins

著者

書誌事項

On the museum's ruins

Douglas Crimp ; with photographs by Louise Lawler

MIT Press, c1993

  • : pbk

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注記

Includes bibliographical references and index

内容説明・目次

巻冊次

ISBN 9780262032094

内容説明

"On the Museum's Ruins" presents Douglas Crimp's criticism of contemporary art, its institutions, and its politics alongside photographic works by the artist Louise Lawler to create a collaborative project that is itself an example of postmodern practice at its most provocative. Taking the museum as the paradigmatic institution of artistic modernism, Crimp surveys its historical origins and current transformations, from the plans for the Berlin Museum in the 1820s to reinstallations of New York's Metropolitan Museum of Art and Museum of Modern Art in the 1980s. But it is the breakup of this modernist paradigm that is the central subject of "On the Museum's Ruins". The new paradigm of postmodernism is elaborated through analyses of art practices broadly conceived, not only the practices of artists - Robert Rauschenberg, Cindy Sherman, Marcel Broodthaers, Richard Serra, Sherrie levine, and Robert Mapplethorpe - but those of critics and curators, of international exhibitions such as Documenta and "Zeitgeist", of new or refurbished museums such as the Staatsgalerie in Stuttgart and the Martin-Gropius-Bau in Berlin.

目次

  • Photographs at the end of modernism
  • on the museum's ruins
  • the museum's old, the library's new subject
  • the end of painting
  • the photographic activity of postmodernism
  • appropriating appropriation
  • redefining site specificity
  • this is not a museum of art
  • the art of exhibition
  • the postmodern museum.
巻冊次

: pbk ISBN 9780262531269

内容説明

On the Museum's Ruins presents Douglas Crimp's criticism of contemporary art, its institutions, and its politics alongside photographic works by the artist Louise Lawler to create a collaborative project that is itself an example of postmodern practice at its most provocative. Crimp elaborates the new paradigm of postmodernism through analyses of art practices broadly conceived, not only the practices of artists-Robert Rauschenberg, Cindy Sherman, Marcel Broodthaers, Richard Serra, Sherrie Levine, and Robert Mapplethorpe-but those of critics and curators, of international exhibitions, and of new or refurbished museums such as the Staatsgalerie in Stuttgart and the Martin-Gropius-Bau in Berlin. The essays: - Photographs at the End of Modernism. - On the Museum's Ruins. - The Museum's Old, the Library's New Subject. - The End of Painting. - The Photographic Activity of Postmodernism. - Appropriating Appropriation. - Redefining Site Specificity. - This is Not a Museum of Art. - The Art of Exhibition. - The Postmodern Museum.

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