Heinrich Zimmer : coming into his own

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Heinrich Zimmer : coming into his own

edited by Margaret H. Case

Princeton University Press, c1994

大学図書館所蔵 件 / 全6件

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Includes bibliographical references and index

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内容説明

Heinrich Zimmer (1890-1943) is perhaps best known in the English-speaking world for four posthumous books: "Myths and Symbols in Indian Art and Civilisation", "Philosophies of India", "The Art of Indian Asia", and "The King and the Corpse". These works have inspired several generations of students of Indian religion and culture. The collection of research papers in this volume testify to Zimmer's originality and to his rightful place in that small group of scholars who were part of the first generation to confront the end of European empires in India and the rest of Asia. In her introduction, Margaret Case contrasts Zimmer's approach to India with that of Jung. There follow two recollections of Zimmer, one by his daughter Maya Rauch, the other by a close friend and supporter in Germany, Herbert Nette. Then William McGuire describes Zimmer's connections with Mary and Paul Mellon and with the Jungian circles in Switzerland and New York. A brief talk by Zimmer, previously unpublished, describes his admiration for Jung. Wendy Doniger picks up the question of Zimmer's intellectual legacy, especially in the light of Campbell's editorial work on his English publications. Gerald Chapple raises another question about how his influence was felt: the division between what is known of his work in the German-and the English-speaking worlds. Kenneth Zysk then summarizes and analyzes his contribution to Western knowledge of Hindu medicine; Matthew Kapstein evaluates his place in the West's appreciation of Indian philosophy; and Mary Linda discusses his contributions to the study of Indian art in the light of A.K. Coomaraswamy's work and more recent research.

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