Art criticism and its institutions in nineteenth-century France
著者
書誌事項
Art criticism and its institutions in nineteenth-century France
Manchester University Press, c1994
- pbk.
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
This book explores a range of social, institutional and discursive conditions in and through which criticism emerged and functioned in 19th-century France, and goes on to develop broader theoretical questions drawn from historical case studies. Unlike many investigations of art criticism in 19th-century France, this book takes as its starting point the conception of criticism as discourse, that is, an historically constituted representation/signifying practise, embedded in a complex of shifting social and material collections; linguistic rules, literary codes, gendered cultural, political and institutional formations, which in different ways mediated the content, form and the very objects of critical discourse. Issues discussed include: the emergence and formation of the social and professional category of "art critic" and its determination in modes of art writing; and the social, judicial and institutional fields in which it operated and through which its authority was negotiated and conferred.
目次
- The politicization of art criticism in the postrevolutionary press, Susan L. Siegfried
- history and the morphology of critical language, or publicola's choice, Adrian Rifkin
- life and afterlife - Jacques-Louis David, 19th century criticism and the construction of the biographical subject, Neil McWilliam
- delacroix and his critics - stakes and strategies, Anne Larue
- printmaking as metaphor for translation - Philippe Burty and the Gazette des Beaux-Arts in the second empire, Segolene Le Men
- the de-politicization of Gustave Courbet - transformation and rehabilitation under the third republic, Linda Nochlin
- re-inventing Edouard Manet - re-writing the face of national art in the early third republic, Michael R. Orwicz
- imaging gender, Anne Higonnet
- from art criticism to art news - journalistic reviewing the late 19th century Paris, Martha Ward
- the relative autonomy of art criticism, Dario Gamboni.
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