Music & spectacle in baroque Rome : Barberini patronage under Urban VIII
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書誌事項
Music & spectacle in baroque Rome : Barberini patronage under Urban VIII
Yale University Press, 1994
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Music and spectacle in baroque Rome
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注記
Bibliography: p. 339-359
Includes index
内容説明・目次
内容説明
A comprehensive examination of the musical productions and festivals sponsored by the Barberini family in 17th century Rome. This work discuses what work was written under their patronage, why it was commissioned and how it related to the religious, political and aesthetic programme of the family.
目次
- Part 1 Mirabil congiuntura - the programme of the Papacy: the programme of the Papacy
- the context of magnificence
- the Barberini - Urban VIII, the brothers, the nephews
- household musical establishments and instruments - Urban VIII, the nephews, the Barbareni instrument collection, the theorist - Giovanni Battista Doni, academies and repertory. Part 2 Symbolic spectacle - the achievement of the nephews: the fiesta - sociology, typology, sources, the Roman carnival
- musical patronage of churches - Roman churches and their music, the nephews and the Roman churches, Cardinal Antonio and the Jesuit centre
- the Barberini and the Cappella Pontificia
- baroque opera - the origins, the production of opera, gesture, dance and dance music
- Barberini opera 1628-1644 - the Barberini operas to 1634, the prince's carnival of 1634, Cardinal Francesco's operas to 1642, Cardinal Antonio's enchanted palace. Appendix: checklist of Roman festivals in the reign of Urban VIII.
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