Monet, Narcissus, and self-reflection : the modernist myth of the self
著者
書誌事項
Monet, Narcissus, and self-reflection : the modernist myth of the self
University of Chicago Press, 1994
- : pbk
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注記
Bibliography: p. 327-347
Includes index
内容説明・目次
- 巻冊次
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ISBN 9780226475431
内容説明
This text provides an understanding of the life and work of Claude Monet and the myth of the modern artist. Levine analyzes the extensive critical reception of Monet and the artist's own writings in the context of the story of Narcissus, popular in late 19th-century France. Through a balance of psychoanalytical theory and historical study, he identifies narcissism and obsession as driving forces in Monet's art and demonstrates how meaning is derived from the accumulated responses to the work.
目次
List of Illustrations Preface and Acknowledgments 1: Baudelaire and the Error of Narcissus (1859-70) 2: From Self-Infatuation to Self-Reflection (1870-80) 3: Normandy's Beaches and Maritime Origins (1880-83) 4: The Riviera and the Impossibility of the Blues (1884-85) 5: Etretat and Death by the Sea (1885-86) 6: Belle-Ile and the Oceanic Feeling (1886-87) 7: Antibes and the Intoxication of Solitude (1888) 8: Mirbeau and the Cult of the Self (1889) 9: The Creuse and Neurotic Obsession (1889) 10: Mallarme, Women, and Water Lilies (1889-91) 11: Allegories of Narcissus: Valery, Gide, Mauclair (1891-95) 12: Allegories of Narcissus: Regnier, Gasquet, Rollinat (1895-99) 13: Giverny and Paradise (1899-1909) 14: Bending over the Source (1909) 15: War, Water Lilies, and Death (1909-26) 16: Self-Portrait of the Artist as an Old Man Notes Bibliography Photography Credits Index
- 巻冊次
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: pbk ISBN 9780226475448
内容説明
This text provides an understanding of the life and work of Claude Monet and the myth of the modern artist. Levine analyzes the extensive critical reception of Monet and the artist's own writings in the context of the story of Narcissus, popular in late 19th-century France. Through a balance of psychoanalytical theory and historical study, he identifies narcissism and obsession as driving forces in Monet's art and demonstrates how meaning is derived from the accumulated responses to the work.
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