New Australian cinema : sources and parallels in American and British film

Bibliographic Information

New Australian cinema : sources and parallels in American and British film

Brian McFarlane and Geoff Mayer

Cambridge University Press, 1992

  • : hbk.
  • : pbk.

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Note

Includes bibliographical references (p. [244]-246) and index

Description and Table of Contents

Description

The institutions and products of the Australian film industry have been extensively surveyed, yet few analyses consider the sources of the film revival that took place in the 1970s and 1980s. This book represents a body of thinking about Australian cinema that asks where the origins of films lie. The book begins by tracing the indebtedness of Australian cinema to the classical narrative style of Hollywood film-making, with its firm grasp of melodrama. It continues by comparing the problems faced by the 'high' British cinema of the 1940s and 1950s with those faced by Australia in the 1970s and 1980s in the attempts by both countries to establish national film industries. New Australian Cinema will increase the scope of the discussion about the revival of Australian cinema and help us to make cultural sense of the films themselves.

Table of Contents

  • Preface
  • Part I: 1. Introduction
  • Part II: 2. American Classical Cinema and the melodramatic tradition
  • 3. The melodrama of isolation and defeat: Australian cinema since Picnic at Hanging Rock
  • Part III: 4. Two booms: 'High' British cinema and new Australian cinema
  • 5. The films: Britain (1940-1960) and Australia (1970-1990)
  • Part IV: 6. Observations and conclusions
  • Selected bibliography on Australian cinema
  • Index.

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Details

  • NCID
    BA24785794
  • ISBN
    • 0521383633
    • 052138768X
  • LCCN
    91034191
  • Country Code
    uk
  • Title Language Code
    eng
  • Text Language Code
    eng
  • Place of Publication
    Cambridge [England] ; New York
  • Pages/Volumes
    xiii, 259 p.
  • Size
    24 cm
  • Classification
  • Subject Headings
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