Music grooves : essays and dialogues

Author(s)

Bibliographic Information

Music grooves : essays and dialogues

Charles Keil & Steven Feld

University of Chicago Press, 1994

  • : cloth
  • : pbk

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Note

Includes bibliographical references (p. 347-379) and index

Description and Table of Contents

Volume

: cloth ISBN 9780226429564

Description

This volume explores two themes: the "groove" of firsthand experience and participation in music and the "groove" of musical mediation and commodification through recordings. A number of the authors' most important essays, all revised and updated, are introduced and framed by dialogues that supply additional context, introduce retrospective concerns and reveal connections. This format signals the authors' desire for a more reflexive, experimental discourse on music and society and invites readers to join their conversations. "Music Grooves" ranges from jazz, blues, polka, soul, rock, world beat, rap, karaoke and other familiar genres to major scholarly debates in music theory, ethnomusicology and popular culture studies. The authors develop and create links between the fields of ethnomusicology and popular culture studies and relate the contents of musics from America, Greece, Cuba, Africa and Papua New Guinea to artists as diverse as James Brown, Aretha Franklin, L'il Wally Jagiello, Bo Diddley, Walt Solek, Madonna, Paul Simon, Miles Davis, Thelonious Monk and Billie Holiday. Keil and Feld offer a view of the shaping of central ideas and terms in ethnomusicology such as "engendered feeling," "interpretive moves," "participatory discrepancies," "iconicity of style," "people's music," "schizophonia" and "lift-up-over sounding." From Keil's critique of Leonard Meyer's musicological approach to Feld's recent work on world beat, this volume covers an array of vital issues in media studies, musicology and ethnomusicology, popular culture, anthropology and sociology. It should interest anyone concerned with the nature and meaning of music in the modern world.

Table of Contents

  • Preface 1: Motion and Feeling through Music Charles Keil 2: Communication, Music, and Speech about Music Steven Feld 3: Participatory Discrepancies and the Power of Music Charles Keil 4: Aesthetics as Iconicity of Style (uptown title)
  • or, (downtown title) "Lift-up-over Sounding": Getting into the Kaluli Groove Steven Feld 5: People's Music Comparatively: Style and Stereotype, Class and Hegemony Charles Keil 6: Respecting Aretha: A Letter Exchange Steven Feld, Charles Keil. 7: On Civilization, Cultural Studies, and Copyright Charles Keil 8: Notes on "World Beat" Steven Feld 9: Music Mediated and Live in Japan Charles Keil 10: From Schizophonia to Schismogenesis: On the Discourses and Commodification Practices of "World Music" and "World Beat" Steven Feld Sources and Acknowledgments References Index
Volume

: pbk ISBN 9780226429571

Description

This volume explores two themes: the "groove" of firsthand experience and participation in music and the "groove" of musical mediation and commodification through recordings. A number of the authors' most important essays, all revised and updated, are introduced and framed by dialogues that supply additional context, introduce retrospective concerns and reveal connections. This format signals the authors' desire for a more reflexive, experimental discourse on music and society and invites readers to join their conversations. "Music Grooves" ranges from jazz, blues, polka, soul, rock, world beat, rap, karaoke and other familiar genres to major scholarly debates in music theory, ethnomusicology and popular culture studies. The authors develop and create links between the fields of ethnomusicology and popular culture studies and relate the contents of musics from America, Greece, Cuba, Africa and Papua New Guinea to artists as diverse as James Brown, Aretha Franklin, L'il Wally Jagiello, Bo Diddley, Walt Solek, Madonna, Paul Simon, Miles Davis, Thelonious Monk and Billie Holiday. Keil and Feld offer a view of the shaping of central ideas and terms in ethnomusicology such as "engendered feeling," "interpretive moves," "participatory discrepancies," "iconicity of style," "people's music," "schizophonia" and "lift-up-over sounding." From Keil's critique of Leonard Meyer's musicological approach to Feld's recent work on world beat, this volume covers an array of vital issues in media studies, musicology and ethnomusicology, popular culture, anthropology and sociology. It should interest anyone concerned with the nature and meaning of music in the modern world.

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