Health and illness : images of difference
Author(s)
Bibliographic Information
Health and illness : images of difference
(Picturing history series)
Reaktion Books, 1995
Available at 15 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. 184-196
Includes index
Description and Table of Contents
Description
Ours is a culture riddled with preoccupations about health and disease. In this timely study Sander L. Gilman demonstrates how images of beauty and ugliness have constructed a visual history which records the artificial boundaries that continue to divide 'healthy' bodies from ones that are ill. He shows how cultural fantasies of health and illness have come to be identified and defined by means of visual, aesthetic criteria - for the healthy is now seen as beautiful and the ill as ugly. How did these categories acquire medical associations? The history of our perception of the 'beautiful body' is charged with anxieties about contagion and ugliness and, furthermore, entangled with political implications brought about by our all-too-frequent interpretation of 'race' as a medical category. Sander Gilman looks at how nineteenth-century theorists collected medical and racial data from the shapes of noses, and at contemporary fears concerning syphilis, vividly personified in the diseased hero of Leroux's "The Phantom of the Opera".
He also scrutinizes Mark Twain's frank account of a visit to the Holy Land for signs of implicit prejudice about the health or illness of the resident Arabs and Jews. These concerns are brought up-to-date when the author turns to pathological case histories and recent AIDS posters issued by governments worldwide. This is more than simply a history of medicine augmented by visual evidence; its true originality lies in reading from the same visual sources an otherwise unnoticed aestheticization of the body. In so doing, Sander Gilman has discovered a new, exciting, alternative reading of the history of health and illness.
by "Nielsen BookData"