Stations of the divided subject : contestation and ideological legitimation in German bourgeois literature, 1770-1914

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Stations of the divided subject : contestation and ideological legitimation in German bourgeois literature, 1770-1914

Richard T. Gray

Stanford University Press, 1995

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注記

Includes bibliographical references (p. [345]-373) and index

内容説明・目次

内容説明

A Stanford University Press classic.

目次

  • Introduction: divided subjectivity and the internal dialectic of bourgeois literature
  • Part I. Repression and the Ideological Construction of Bourgeois Subjectivity
  • 1. Picturing Emilia: conflict of representations and the tragedy of bourgeois subjectivity in Gotthold Ephraim Lessing's Emilia Galotti
  • 2. Righting writing: semiotic conflict, hermeneutical disjunction, and the subl(im)ation of revolt in Friedrich Schiller's The Robbers
  • Part II. Literature as Therapy for Divided Subjects
  • 3. Freelancing: Heinrich Heine'sIdeas. The Book Le Grand and literature between service and servitude
  • 4. Carnivalization, spectatorship, and the critique of enlightenment in Georg Buchner's Woyzeck
  • Part III. The Return of the Political Repressed and The Aporia of The Bourgeois Subject
  • 5. The hermeneut(r)ic(k) of the psychic narrative: Freud's 'Uncanny' and the political unconscious in Hugo von Hofmannsthal's A Tale of the Cavalry
  • 6. Infinite commerce: the aporia of bourgeois subjectivity in Franz Kafka's The Judgem ent.

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