Surrealism in exile and the beginning of the New York school
Author(s)
Bibliographic Information
Surrealism in exile and the beginning of the New York school
MIT Press, c1995
Available at 21 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. [442]-453
Includes index
Description and Table of Contents
Description
In this detailed account of what was happening within Surrealism during the crucial years 1938-1947, Martica Sawin documents the cultural transfer that took place when the greater part of the prewar Surrealist group was transplanted to the Western Hemisphere. Sawin's year-by-year narrative pieces together when and how the refugees arrived and their various points of contact with the future abstract expressionists. It documents conclusively the roots of the New York Scool - a hybrid of startling vigour that brought world attention to the new American art for the first time - the evolution of the artworks involved, and the last brilliant flowering of Surrealist art. Interwoven with the text are 250 photographs of people, places and artworks. Sawin details the lives and work of such key figures as Tanguy, Matta, Ernst, Masson, Breton and others, tracing events that culminated in a new mode of painting that emerged in New York by the mid-1940s particularly in the work of those artists who were in closest contact with the Surrealist emigres, painters such as Gorky, Motherwell and Pollock.
An epilogue takes up the postwar fate of both the European refugees and the American artists, the well-known success stories as well as the tragic suicides.
Table of Contents
- France, 1938 - the railroad station of the imagination and the dream
- France, 1939 - "the curtain has risen on a forest fire"
- New York, 1939 - the prepared ground
- France, 1940-1941 - the Marseilles game
- New York, 1941 - in a land without myth
- New York, 1942 - veils and transparents
- the Mexican connection
- New York, 1943 - a new momentum begins
- New York, 1944-1945 - young cherry trees secured against hares
- Paris, 1945-1947 - in the time of lean cows.
by "Nielsen BookData"