Negotiating performance : gender, sexuality, and theatricality in Latin/o America
著者
書誌事項
Negotiating performance : gender, sexuality, and theatricality in Latin/o America
Duke University Press, 1994
- : hbk
- : pbk
大学図書館所蔵 全10件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
In Negotiating Performance, major scholars and practitioners of the theatrical arts consider the diversity of Latin American and U. S. Latino performance: indigenous theater, performance art, living installations, carnival, public demonstrations, and gender acts such as transvestism. By redefining performance to include such events as Mayan and AIDS theater, the Mothers of the Plaza de Mayo, and Argentinean drag culture, this energetic volume discusses the dynamics of Latino/a identity politics and the sometimes discordant intersection of gender, sexuality, and nationalisms.
The Latin/o America examined here stretches from Patagonia to New York City, bridging the political and geographical divides between U.S. Latinos and Latin Americans. Moving from Nuyorican casitas in the South Bronx, to subversive street performances in Buenos Aires, to border art from San Diego/Tijuana, this volume negotiates the borders that bring Americans together and keep them apart, while at the same time debating the use of the contested term "Latino/a." In the emerging dialogue, contributors reenvision an inclusive "America," a Latin/o America that does not pit nationality against ethnicity-in other words, a shared space, and a home to all Latin/o Americans.
Negotiating Performance opens up the field of Latin/o American theater and performance criticism by looking at performance work by Mayans, women, gays, lesbians, and other marginalized groups. In so doing, this volume will interest a wide audience of students and scholars in feminist and gender studies, theater and performance studies, and Latin American and Latino cultural studies.Contributors. Judith Bettelheim, Sue-Ellen Case, Juan Flores, Jean Franco, Donald H. Frischmann, Guillermo Gomez-Pena, Jorge Huerta, Tiffany Ana Lopez, Jacqueline Lazu, Maria Teresa Marrero, Cherrie Moraga, Kirsten F. Nigro, Patrick O'Connor, Jorge Salessi, Alberto Sandoval, Cynthia Steele, Diana Taylor, Juan Villegas, Marguerite Waller
目次
Acknowledgments
Opening Remarks / Diana Taylor
The Multicultural Paradigm: An Open Letter to the National Arts Community / Guillermo Gomez-Pena
Art in America con Acento / Cherrie Moraga
Looking for the Magic: Chicanos in the Mainstream / Jorge Huerta
Staging AIDS: What's Latinos Got To Do With It? / Alberto Sandoval
Border Boda or Divorce Fronterizo? / Marguerite Waller
Seduced and Abandoned: Chicanas and Lesbians in Representation / Sue-Ellen Case
Public Art, Performance Art, and the politics of Site / Maria Teresa Marrero
"Salvacion Casita": Puerto Rican Performance and Vernacular Architecture in the South Bronx / Juan Flores
Inventions and Transgressions: A Fractured Narrative on Feminist Theatre in Mexico / Kirsten F. Nigro
A Touch of Evil: Jesusa Rodriguez's Subversive Church / Jean Franco
Ethnicity, Gender, and Power: Carnaval in Santiago de Cuba / Judith Bettelheim
New Mayan Theatre in Chiapas: Anthropology, Literacy, and Social Drama / Donald H. Frischmann
"A Woman Fell into the River": Negotiating Female Subjects in Contemporary Mayan Theatre / Cynthia Steele
For Carnival, Clinic, and Camera: Argentina's Turn-of-the-Century Drag Culture Performs "Woman" / Jorge Salessi and Patrick O'Connor
Performing Gender: Las Madres de la Plaza de Mayo / Diana Taylor
Closing Remarks / Juan Villegas
Bibliography / Tiffany Ana Lopez and Jacqueline Lazu
Contributors
Index
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