Mimesis : culture, art, society
著者
書誌事項
Mimesis : culture, art, society
University of California Press, c1995
- : cloth
- : pbk
- タイトル別名
-
Mimesis
並立書誌 全1件
大学図書館所蔵 全22件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 369-389
Includes index
内容説明・目次
- 巻冊次
-
: cloth ISBN 9780520084582
内容説明
Mimesis, the notion that art imitates reality, has long been recognized as one of the central ideas of Western aesthetics and is most frequently associated with Aristotle. Less well documented is the importance of mimetic theories of literature, theatre and the visual arts during the Renaissance and the Enlightenment. This book contains an overview of the theory of mimesis in all its forms, providing an introduction to the complex and shifting meanings of the term. Beginning with the Platonic doctrine of imitation, the book charts the concept's appropriation and significance in the aesthetic theories of Aristotle, Moliere, Shakespeare, Racine, Diderot, Lessing and Rousseau. It also examines the state of mimesis in the 19th-century novel and its reworking by such modern thinkers as Benjamin, Adorno and Derrida. Widening the traditional understanding of mimesis to encompass the body and cultural practices of everyday life, the text suggests the continuing value of mimetic theory.
- 巻冊次
-
: pbk ISBN 9780520084599
内容説明
Mimesis, the notion that art imitates reality, has long been recognized as one of the central ideas of Western aesthetics and has been most frequently associated with Aristotle. Less well documented is the great importance of mimetic theories of literature, theater, and the visual arts during the Renaissance and the Enlightenment. In this book, the most comprehensive overview of the theory of mimesis since Auerbach's monumental study, Gunter Gebauer and Christoph Wulf provide a thorough introduction to the complex and shifting meanings of the term. Beginning with the Platonic doctrine of imitation, they chart the concept's appropriation and significance in the aesthetic theories of Aristotle, Moliere, Shakespeare, Racine, Diderot, Lessing, and Rousseau. They examine the status of mimesis in the nineteenth-century novel and its reworking by such modern thinkers as Benjamin, Adorno, and Derrida. Widening the traditional understanding of mimesis to encompass the body and cultural practices of everyday life, their work suggests the continuing value of mimetic theory and will prove essential reading for scholars and students of literature, theater, and the visual arts.
目次
Acknowledgments
Introduction
1. Point of Departure
On Auerbach's History of Mimesis
Worldmaking and Social Pressure
Literary and Social Mimesis
Part I. Mimesis as Imitation, the Production
of Appearances, and Fiction
2. On the Origins of the Concept
3. Imitation, Illusion, Image (Plato)
Similarity, Imitation, Education
Appearance and lllusion
Images as Appearances with the Character
of Similarity
4. The Break in the History of Mimesis:
The Use of Writing
Oral Poetry
Between Oral and Literate Culture
5. Poetic Mimesis (Aristotle)
Part II. Mimesis as lmitatio, the Expression of Power,
and Literate Subjectivity
6. Mimesis as lmitatio
7. Poetics and Power in the Renaissance
8. lntertextuality, Fragmentation, Desire:
Erasmus, Montaigne, Shakespeare
Part III. Mimesis as Enactment of the State
9. The Conflict Over History: The Querelle des Anciens
et des Modernes
On the History of the Conflict
Racine and Moliere
Structural Results
10. Mimesis as the Self-Representation of Political Power
The Portrait of the King
On the Dramatic Practice of French Classicism
The Representation of Daily Life in Comedy
11. Against Mimesis as Self-Representation
The Critique of Self-Representation in Madame
de Lafayette
Negative Anthropology
Two Attempts to Transcend Mimesis
Part IV. From Imitation to the Constitution
of the Creative Subject
12. Problems in the Imitation of Nature
in the Eighteenth Century
13. Mimesis in the Theater of the Enlightenment
14. Diderot's Paradox of Acting
15. The Transformation of Mimesis in Lessing
Lessing's Argument
16. Self-Mimesis (Rousseau)
Self-Formation
Pedagogy and Seduction
Part V. Mimesis as the Principle of Worldmaking
in the Novel and Society
17. The Mimetic Constitution of Social Reality
Images of a Society
Balzac's Illusions perdues 225
18. "Mimetic Desire" in the Work of Girard
19. Violence in Antiromantic Literature
The Authorial I and Others
The Relationships of I and Other in the Novel
Language, Violence, and the Internal Perspective
20. The Mimesis of Violence (Girard)
Part VI. Mimesis as Entree to the World, Language,
and Writing
21. Nonsensuous Similarity: On the
Linguistic Anthropology of Benjamin
22. Vital Experience (Adorno)
23. The Between-Character of Mimesis (Derrida)
Results
Historical Positions of Mimesis
The Dimensions of Mimesis
Notes
Bibliography
Index
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