Music in eighteenth-century Austria

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Music in eighteenth-century Austria

edited by David Wyn Jones

Cambridge University Press, 1996

  • : hc

Available at  / 13 libraries

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Note

"Originally presented as papers at an international conference organized by the Centre for Eighteenth-Century Musical Studies, University of Wales, Cardiff, and held at Dyffryn House, near Cardiff, in July 1991"--Pref

Includes bibliographical references and index

Contents of Works

  • Introduction / David Wyn Jones
  • The trumpet overture and sinfonia in Vienna (1715-1822) / A. Peter Brown
  • The early classical violin concerto in Austria / Chappell White
  • Haydn's Missa sunt bona mixta malis and the a cappella tradition / David Wyn Jones
  • Johann Baptist Vanhal and the pastoral Mass tradition / Bruce MacIntyre
  • The Austrian pastorella and the stylus rusticanus / Geoffrey Chew
  • The applausus musicus, or Singgedicht / Robert Freeman
  • The operas of Antonio Salieri as a reflection of Viennese opera, 1770-1800 / John A. Rice
  • Lorenzo da Ponte's Viennese librettos / Konrad Küster
  • Viennese amateur or London professional? / Julian Rushton
  • The Viennese fortepiano in the eighteenth century / Eva Badura-Skoda
  • The Beethoven-Wölfl piano duel / Tia Denora

Description and Table of Contents

Description

The music of Haydn, Mozart and Beethoven forms a cornerstone of the modern repertoire, but very little is known about the context in which these composers worked. This volume of twelve essays by leading international scholars considers some of the musical traditions and practices of this little-understood period of music history. Beginning with the early decades of the eighteenth century, the volume documents selected aspects of musical life and style from the late Baroque period through to the early years of the nineteenth century. The four main areas covered in this exploration of music history are orchestral music, sacred music, opera and keyboard music. Georg Reutter (Haydn's teacher), Antonio Salieri (Mozart's colleague) and Woelffl (a rival of Beethoven) are just three of the period's prominent musicians who are discussed at length.

Table of Contents

  • List of plates
  • Preface
  • 1. Introduction: new challenges, new perspectives David Wyn Jones
  • Part I. Overture, Symphony and Concerto: 2. The trumpet overture and sinfonia in Vienna (1715-1822): rise, decline and reformulation A. Peter Brown
  • 3. The early Classical violin concerto in Austria Chappell White
  • Part II. Traditions in Sacred Music: 4. Haydn's Missa sunt bona mixta malis and the a cappella tradition David Wyn Jones
  • 5. Johann Baptist Vanhal and the pastoral mass tradition Bruce MacIntyre
  • 6. The Austrian pastorella and the stylus rusticanus: comic and pastoral elements in Austrian music, 1750-1800 Geoffrey Chew
  • Part III. Opera and Drama: 7. The applausus musicus, or Singgedicht: a neglected genre of eighteenth-century musical theatre Robert N. Freeman
  • 8. The operas of Antonio Salieri as a reflection of Viennese opera 1770-1800 John A. Rice
  • 9. Lorenzo da Ponte's Viennese librettos Konrad Kuster
  • 10. Viennese amateur or London professional? A reconsideration of Haydn's tragic cantata Arianna a Naxos Julian Rushton
  • Part IV. Pianos and Pianism: 11. The Viennese fortepiano in the eighteenth century Eva Badura-Skoda
  • The Beethoven-Woelfl piano duel Tia DeNora
  • Index.

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