Epistolary bodies : gender and genre in the eighteenth-century Republic of letters

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書誌事項

Epistolary bodies : gender and genre in the eighteenth-century Republic of letters

Elizabeth Heckendorn Cook

Stanford University Press, c1996

  • : cloth

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注記

Bibliography: p. 219-229

Includes index

内容説明・目次

内容説明

Informed by Jurgen Habermas's public sphere theory, this book studies the popular eighteenth-century genre of the epistolary narrative through readings of four works: Montesquieu's Lettres persanes (1721), Richardson's Clarissa (1749-50), Riccoboni's Lettres de Mistriss Fanni Butlerd (1757), and Crevecoeur's Letters from an American Farmer (1782).The author situates epistolary narratives in the contexts of eighteenth-century print culture: the rise of new models of readership and the newly influential role of the author; the model of contract derived from liberal political theory; and the techniques and aesthetics of mechanical reproduction. Epistolary authors used the genre to formulate a range of responses to a cultural anxiety about private energies and appetites, particularly those of women, as well as to legitimate their own authorial practices. Just as the social contract increasingly came to be seen as the organising instrument of public, civic relations in this period, the author argues that the epistolary novel serves to socialise and regulate the private subject as a citizen of the Republic of Letters.

目次

  • A note to the reader
  • Introduction: imprinting the body: Lady Bradshaigh's Clarissa
  • 1. The eighteenth-century epistolary body and the public sphere
  • 2. Writing the republic of letters: the lettres persanes and the citizen-critic
  • 3. 'My father's house': body language and authority in Clarissa
  • 4. Going public: the letter and the contract in Fanni Butlerd
  • 5. The end of epistolarity: letters from an American farmer
  • Postscript. Post-enlightenment letters
  • Notes
  • Works cited
  • Index.

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