Harmony and counterpoint : ritual music in Chinese context
著者
書誌事項
Harmony and counterpoint : ritual music in Chinese context
Stanford University Press, 1996
大学図書館所蔵 全14件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
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注記
Includes bibliographical references and index
収録内容
- The nature of Chinese ritual sound / Bell Yung
- Ritual and musical politics in the court of Ming Shizong / Joseph S.C. Lam
- State sacrificial music and Korean identity / Robert C. Provine
- Musical assertion of status among the Nexi of Lijiang County, Yunnan / Helen Rees
- Chinese bridal laments : the claims of a dutiful daughter / Rubie S. Watson
- Processional music in traditional Taiwanese funerals / Ping-Hui Li
- The creation of an emperor in eighteenth-century China / Evelyn S. Rawski
- Singing to the spirits of the dead : a Daoist ritual of salvation / Judith Magee Boltz
- Ritual opera and the bonds of authority : transformation and transcendence / Ellen R. Judd
内容説明・目次
内容説明
This volume of nine essays draws together leading scholars in anthropology, social history, musicology, and ethnomusicology to address the roles and functions of music in the Chinese ritual context. How does music, one of a constellation of essential performative elements in almost all rituals, empower an officiant, legitimate an officeholder, create a heightened state of awareness, convey a message, or produce a magical outcome, a transition, a transformation? After an introduction by the volume editors, Bell Yung proposes a theoretical framework for dealing with Chinese ritual sound. A group of three essays focuses on the music for rituals that create political and social legitimacy followed by a second group of essays considering the music associated with rites of passage. Two essays then deal with the music accompanying rituals of propitiation. In all these cases, music is seen to play a critical role, if not the core of the ritual.
目次
Introduction Bell Yung, Evelyn S. Rawski, Rubie S. Watson 1. The nature of Chinese ritual sound Bell Yung Part I. Behind the Scenes: Creating Legitimacy: 2. Ritual and musical politics in the court of Ming Shizong Joseph S. C. Lam 3. State sacrificial music and Korean identity Robert C. Provine 4. Musical assertion of status among the Naxi of Lijiang County, Yunnan Helen Rees Part II. Musical Transformations: Rites of Passage: 5. Chinese bridal laments: the claims of a dutiful daughter Rubie S. Watson 6. Processional music in traditional Taiwanese funerals Ping-Hui Li 7. The creation of an Emperor in eighteenth-century China Evelyn S. Rawski 8. Sing to the spirits of the dead: a Daoist ritual of salvation Judith Magee Boltz 9. Ritual opera and the bonds of authority: transformation and transcendence Ellen R. Judd Notes Index.
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