How, when, and why modern art came to New York
著者
書誌事項
How, when, and why modern art came to New York
MIT Press, c1996
- : pbk
並立書誌 全1件
大学図書館所蔵 全14件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [231]-243) and index
内容説明・目次
- 巻冊次
-
ISBN 9780262041539
内容説明
Marius de Zayas (1880-1961), a Mexican artist and writer whose caricatures of New York's theatre, dance and social elite brought him to the attention of Alfred Stieglitz and his circle at "291", was among the most effective propagandists of modern art during the early years of the 20th century. His writings were the first to provide the American public with an intellectual basis upon which to understand and eventually appreciate the newest artistic developments. "How, When and Why Modern Art Came to New York", originally written in the late 1940s, is a chronicle assembled from de Zaya's personal archive of photographs and from newspaper reviews of the exhibitions he discusses, beginning with those held at the Stieglitz gallery and including important shows mounted in his own galleries: The Modern Gallery (1915-1918) and The de Zayas Gallery (1919-1921). An appendix added by the editor provides detailed information on the various exhibitions.
Additional appendixes contain transcriptions of the de Zayas and Stieglitz correspondence, as well as an account of de Zayas's unique relationship with Picasso, a Spaniard with whom he felt a special kinship and whose work he would be among the first in America to promote and defend. Among the press reviews included here are many important documents coming to light for the first time since their original publication. Moreover, the photographs de Zayas selected specify which works were shown in the exhibitions he discusses (as opposed to vague titles in catalogue listings), and many of the photographs illustrate works that have been lost or destroyed since they were first shown.
- 巻冊次
-
: pbk ISBN 9780262540964
内容説明
Marius de Zayas (1880-1961), a Mexican artist and writer whose witty caricatures of New York's theater, dance, and social elite brought him to the attention of Alfred Stieglitz and his circle at "291," was among the most dedicated and effective propagandists of modern art during the early years of this century. How, When, and Why Modern Art Came to New York, originally written in the late 1940s, is a fascinating chronicle assembled from de Zayas's personal archive of photographs and from newspaper reviews of the exhibitions he discusses, beginning with those held at the Stieglitz gallery and including important shows mounted in his own galleries. An appendix added by the editor provides detailed information on the various exhibitions. Additional appendixes contain transcriptions of the de Zayas and Stieglitz correspondence, as well as an account of de Zayas's unique relationship with Picasso, a Spaniard with whom he felt a special kinship and whose work he would be among the first in America to promote and defend.
「Nielsen BookData」 より