Black chant : languages of African-American postmodernism
Author(s)
Bibliographic Information
Black chant : languages of African-American postmodernism
（Cambridge studies in American literature and culture）
Cambridge University Press, 1997
- : hbk
- : pbk
Available at / 35 libraries
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Kobe Shoin Women's University Library / Kobe Shoin Women's College Library
A930.8||1||105H075798*
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Note
Includes bibliographical references (p. [267]-280) and index
Description and Table of Contents
Description
Black Chant traces the embrace and transformation of black modernisms and postmodernisms by African-American poets in the decades after the Second World War. Focusing on groups of avant-garde poets, including the Howard/Dasein poets, the Freelance Group, the Umbra Group, and others, the study pays particular attention to those poets whose radical forms of new writing formed the basis for much of what followed in the Black Arts period. The author also undertakes a critical rediscovery of recordings by black avant-garde poets such as Amiri Baraka, Jayne Cortez, and Elouise Loftin, who worked with jazz composers and performers on compositions which combined post-Bop jazz with postmodern verse forms. Exploring the farthest reaches of black creative experimentation in words and music, Black Chant yields an invaluable reassessment of African-American cultural history as it has been shaped throughout the era we now call postmodern.
Table of Contents
- Part I. The Lining of the Lymn: 1. The Calligraphy of Black Chant
- 2. Outlandish
- 3. A New York State of Mind
- Part II. Slipping into Darkness: 4. Out there a minute: the omniverse of jazz and text
- 5. Other planes of there.
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