Beethoven essays : studies in honor of Elliot Forbes

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書誌事項

Beethoven essays : studies in honor of Elliot Forbes

edited by Lewis Lockwood and Phyllis Benjamin

Harvard University Department of Music : Distributed by Harvard University Press, 1984

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注記

Includes bibliographies and indexes

***記述は遡及データによる

収録内容

  • The falling-out between Haydn and Beethoven : the evidence of the sources / James Webster
  • A veiled judgment of Beethoven by Albrechtsberger? / Martin Staehelin
  • A Beethoven price list of 1822 / Alan Tyson
  • Sonneck and Krehbiel : a Beethoven correspondence / Maynard Solomon
  • A.W. Thayer, the diarist, and the late Mr. Brown : a bibliography of writings in Dwight's journal of music / Michael Ochs
  • A cadenza for op. 15 / Edward T. Cone
  • Some gray areas in the evolution of Beethoven's Piano concerto in B♭ major, op. 19 / Geoffrey Block
  • Ends and means in the second finale to Beethoven's op. 30, no. 1 / Christopher Reynolds
  • Once again : on the question of the repeat of the scherzo and trio in Beethoven's Fifth symphony / Sieghard Brandenburg
  • Beethoven's Mass in C Major, op. 86 / J. Merrill Knapp
  • Reconstructing riddles : the sources for Beethoven's Missa solemnis / Robert Winter

内容説明・目次

内容説明

Significant new insights into Beethoven's life and style are offered in this volume in honor of Elliot Forbes, whose revision of Thayer's Life of Beethoven is the standard modern edition of that classic. Essays by James Webster, Martin Staehelin, Alan Tyson, Maynard Solomon, and Michael Ochs look carefully at aspects of Beethoven's career and also deal with Thayer and his work as biographer. Studies of individual works include Edward T. Cone's completion of an unfinished cadenza for the First Piano Concerto and Geoffrey Block's look at sources for the Second Piano Concerto. Sieghard Brandenburg provides an essay on the scherzo of the Fifth Symphony based on an exhaustive scrutiny of its sources. Christopher Reynolds writes on the Violin Sonata Op. 30, no. 1. J. Merrill Knapp contributes an article on the Mass in C major, Op. 86, and Robert Winter discusses the origins of the Missa solemnis, Op. 123.

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