Ezra Pound : the critical heritage

書誌事項

Ezra Pound : the critical heritage

edited by Eric Homberger

(The critical heritage series)

Routledge, 1997

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注記

Reprint. First published in 1972

Includes bibliographical references (p. 481-487) and index

内容説明・目次

内容説明

This set comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

目次

  • Introduction
  • Note on the Text
  • Meeting Ezra Pound
  • 1: William Carlos Williams
  • 2: Edward Thomas
  • 3: D. H. Lawrence
  • 4: W. B. Yeats
  • 5: T. S. Eliot
  • 6: Harriet Monroe
  • A Lume Spento
  • 7: Unsigned notice, Book News Monthly
  • Personae
  • 8: Unsigned review, Evening Standard and St. James's Gazette
  • 9: W. L. Courtney, unsigned review, Daily Telegraph
  • 10: F. S. Flint, review, New Age
  • 11: Edward Thomas, 'A New Note in Verse' Daily Chronicle
  • 12: Edward Thomas, from 'Two Poets', English Review
  • 13: Unsigned review, Observer
  • 14: Unsigned review, Bookman (London)
  • 15: Unsigned review, 'Heresy, and Some Poetry', Nation (London)
  • 16: Rupert Brooke, review, Cambridge Review
  • 17: A new poet makes his debut
  • Exultations
  • 18: Edward Thomas, 'The Newest Poet', Daily Chronicle
  • 19: Unsigned review, Spectator
  • 20: Unsigned review, Observer
  • 21: F. S. Flint, 'Verse', New Age
  • 22: Unsigned review, Nation (London)
  • The Spirit of Romance
  • 23: Unsigned notice, Nation (New York)
  • 24: Edward Thomas, review, Morning Post
  • Provenca
  • 25: Floyd Dell, review, Chicago Evening Post
  • 26: H. L. Mencken, review, Smart Set
  • 27: Reverberations in America
  • 28: J. B. Yeats to his son
  • Canzoni
  • 29: Charles Granville, 'Modern Poetry', Eye-Witness
  • 30: Unsigned review, Westminster Gazette
  • 31: G. D. H. Cole, initialled review, Isis
  • 32: J. C. Squire, review, New Age
  • 33: F. S. Flint, review, Poetry Review
  • Sonnets and Ballate of Guido Cavalcanti
  • 34: Arundel del Re, review, Poetry Review
  • 35: John Bailey, unsigned review, The Times Literary Supplement
  • Ripostes
  • 36: Harold Child, unsigned review, The Times Literary Supplement
  • 37: F. S. Flint, review, Poetry and Drama
  • 38: Ezra Pound in Chicago
  • 39: Pound and Poetry: a letter to Nation (New York)
  • 40: Pound and Poetry: Wallace Rice in Dial
  • 41: Pound and Poetry: Harriet Monroe replies
  • Cathay
  • 42: Ford Madox Hueffer, 'From China to Peru', Outlook
  • 43: A. R. Orage on the thought and form of Cathay
  • 44: Carl Sandburg, 'The Work of Ezra Pound', Poetry
  • 45: William Marion Reedy on the position of Pound
  • Gaudier Brzeska: A Memoir
  • 46: Unsigned review, Dial
  • Lustra
  • 47: The problem of getting published, 1 A postcard from Elkin Mathews's reader
  • 48: The problem of getting published, 2 The memorandum of agreement
  • 49: Kate Buss, 'Ezra Pound: Some Evidence of his Rare Chinese Quality'
  • 50: A poet in rebellion against emotion
  • 51: Louis Untermeyer on a poet in pantomime
  • 52: Babette Deutsch, 'Ezra Pound, Vorticist' Reedy's Mirror
  • 53: Maxwell Bodenheim, 'A poet's Opinion', Little Review
  • 54: J. B. Yeats to John Quinn
  • 55: Joseph Conrad to John Quinn
  • 56: A. R. Orage on Ezra Pound: His Metric and Poetry
  • Pavannes and Divisions
  • 57: Louis Untermeyer, 'Ezra Pound-Proseur', New Republic
  • 58: Conrad Aiken, 'A Pointless Pointillist', Dial
  • 59: Emanuel Carnevali, 'Irritation', Poetry
  • 60: W. G. Hale on Pound's failings as a Latinist
  • Quia Pauper Amavi
  • 61: A. R. Orage on Pound, Propertius and 'decadence', Readers and Writers (1917-1921)
  • 62: Grumbles about the 'Homage', New Age
  • 63: Pound's defence of the 'Homage'
  • 64: Robert Nichols, 'Poetry and Mr. Pound', Observer
  • 65: A reply from Wyndham Lewis
  • 66: Pound defends the 'Homage' again
  • 67: John Gould Fletcher on the decline and fall of an expatriate
  • 68: Harold Monro, from Some Contemporary Poets
  • 69: May Sinclair, 'The Reputation of Ezra Pound', North American Review
  • Instigations
  • 70: Van Wyck Brooks on Pound as expatriate
  • 71: H. L. Mencken, notice, Smart Set
  • 72: 'W. C. Blum' [Dr James Sibley Watson], 'Super Schoolmaster', Dial
  • Hugh Selwyn Mauberley
  • 73: Unsigned review, The Times Literary Supplement
  • 74: Edwin Muir, review, New Age
  • Umbra: The Early Poems of Ezra Pound
  • 75: Edwin Muir, review, New Age
  • 76: A. R. Orage on Pound's departure from London
  • Poems 1918-21
  • 77: Maxwell Bodenheim, 'The Isolation of Carved Metal', Dial
  • 78: John Peale Bishop, 'The Intelligence of Poets', Vanity Fair
  • 79: Brian Howard on Pound's 'clean, white spirit of disinfection'
  • 80: Harriet Monroe, a retrospective view of Pound
  • A Draft of XVI Cantos
  • 81: Glenway Wescott, review, Dial
  • Personae: The Collected Poems of Ezra Pound
  • 82: Ford Madox Ford, 'Ezra', New York Herald Tribune Books
  • 83: William Carlos Williams on Pound's exile
  • 84: R. P. Blackmur on Pound's 'Variety of Masks'
  • Selected Poems
  • 85: John Gould Fletcher, the neglected assessment
  • 86: Henry Bamford Parkes on the theories and influence of Pound
  • 87: A supervision with Dr Leavis on 'Mauberley'
  • A Draft of XXX Cantos
  • 88: Dudley Fitts, 'Music Fit for the Odes', Hound & Horn
  • 89: Eda Lou Walton on some types of obscurity
  • 90: Geoffrey Grigson, 'The Methodism of Ezra Pound', New Verse
  • 91: D. G. Bridson, review, New English Weekly
  • 92: Marianne Moore, review, Criterion
  • Guido Cavalcanti Rime
  • 93: Etienne Gilson, review, Criterion
  • 94: John Sparrow, doubts about Pound and 'Mauberley'
  • Make It New
  • 95: G. M. Young, review, Observer
  • 96: G. K. Chesterton, review, Listener
  • 97: Bonamy Dobree, review, Criterion
  • Eleven New Cantos XXXI-XLI
  • 98: Philip Blair Rice, 'The Education of Ezra Pound', Nation (New York)
  • 99: John Crowe Ransom, 'Pound and the Broken Tradition', Saturday Review of Literature
  • 100: George Barker, review, Criterion
  • Homage to Sextus Propertius
  • 101: Stephen Spender, review, Spectator
  • 102: John Speirs, 'Mr. Pound's Propertius', Scrutiny
  • The Fifth Decad of Cantos
  • 103: Stephen Spender, notice, Left Review
  • 104: Edwin Muir, review, Criterion
  • 105: Delmore Schwartz, 'Ezra Pound's Very Useful Labors', Poetry
  • 106: James Laughlin IV, 'Ezra Pound's Propertius', Sewanee Review
  • 107: Archibald MacLeish on Pound's revolutionary modernism
  • Guide to Kulchur
  • 108: Philip Mairet, review, Criterion
  • 109: Dudley Fitts on a bad boy strutting and shocking
  • 110: William Carlos Williams on Pound's great risk
  • Cantos LII-LXXI
  • 111: 'H. H.' [James Laughlin IV] and 'S. D.' [Delmore Schwartz], Notes on Ezra Pound's Cantos: Structure and Metric
  • 112: Edwin Muir on the Cantos as a political poem
  • 113: Randall Jarrell on the deterioration of Pound
  • 114: Robert Fitzgerald, 'Mr. Pound's Good Governors', Accent
  • 115: Paul Rosenfeld: 'The Case of Ezra Pound', American Mercury
  • The Pisan Cantos
  • 116: Robert Fitzgerald: '"What thou Lovest Well Remains"', New Republic
  • 117: Louis L. Martz, review, Yale Review
  • 118: Reed Whittemore, review, Poetry
  • 119: William Carlos Williams, from a review, Imagi (Allentown, Pa.)
  • 120: C. M. Bowra, 'More Cantos from Ezra Pound', New Statesman and Nation
  • 121: Richard Eberhart on the character of Pound's work
  • 122: John Berryman, 'The Poetry of Ezra Pound', Partisan Review
  • 123: Malcolm Cowley, 'The Battle Over Ezra Pound', New Republic
  • 124: Kathleen Raine on Pound's Confucius and modern poetry
  • 125: Ronald Bottrall, 'The Achievement of Ezra Pound', Adelphi
  • Literary Essays
  • 126: Charles Tomlinson, review, Spectator
  • 127: Donald Davie, 'Instigations to Procedures', New Statesman and Nation
  • 128: W. W. Robson, review, Blackfriars
  • 129: Roy Fuller, review, London Magazine
  • Section: Rock-Drill
  • 130: Noel Stock, review, Meanjin
  • 131: Randall Jarrell on the extraordinary misuse of extraordinary powers
  • 132: A. Alvarez, review, Observer
  • 133: Donald Davie, 'Bed-Rock', New Statesman and Nation
  • 134: Philip Larkin, notice, Manchester Guardian
  • 135: Yvor Winters on the Cantos
  • Thrones 96-109 De Los Cantares
  • 136: Delmore Schwartz, 'Ezra Pound and History', New Republic
  • 137: John Wain, 'The Shadow of an Epic', Spectator
  • 138: Donald Hall, 'The Cantos in England', New Statesman and Nation
  • 139: W. D. Snodgrass, review, Hudson Review
  • 140: John Holloway, review, London Magazine
  • 141: Louis Simpson, 'A Swift Kick in the Rhetoric', Book Week
  • A Lume Spento and Other Early Poems
  • 142: Peter Levi, S.J., on the earliest Pound, Jubilee
  • 143: Colin Falck, review, Encounter
  • 144: Hayden Carruth, 'On a Picture of Ezra Pound', Poetry
  • Drafts and Fragments of Cantos CX-CXVII
  • 145: Herbert Leibowitz, from 'The Muse and the News', Hudson Review
  • 146: Derwent May, review, Observer

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詳細情報

  • NII書誌ID(NCID)
    BA29965691
  • ISBN
    • 0415159415
  • 出版国コード
    uk
  • タイトル言語コード
    eng
  • 本文言語コード
    eng
  • 出版地
    London ; New York
  • ページ数/冊数
    xix, 500 p.
  • 大きさ
    23 cm
  • 分類
  • 件名
  • 親書誌ID
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