The Chekhov theatre : a century of the plays in performance
Author(s)
Bibliographic Information
The Chekhov theatre : a century of the plays in performance
Cambridge University Press, 1997
- : paper
Available at 13 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and indexes
Description and Table of Contents
Description
This is the first cross-cultural study of Chekhov's plays in production. Many now consider Chekhov a playwright equal to Shakespeare, and this book studies how the reputation evolved, and how the presentation of his plays varied and altered from their initial productions in Russia to the most recent postmodern deconstructions of them. In the process, Laurence Senelick analyses the ways in which the reception of Chekhov's plays reflects social, political and aesthetic attitudes in specific countries. Particular attention is given to the staging of Chekhov in Russia before and after the Revolution, and under different regimes; in the English-speaking world, in Western and Eastern Europe, as well as in Japan. Senelick also includes interpretations of Chekhov by the century's most influential directors and designers with valuable and informative illustrations of key productions also a feature of the book.
Table of Contents
- Introduction
- Play list
- List of illustrations
- 1. Compromising with the theatre (Russia 1880-1896)
- 2. A brace of gulls (Russia 1896-1898)
- 3. Moscow nights (The Moscow Art Theatre 1898-1905)
- 4. Competitors and imitators (Russian Empire 1898-1917)
- 5. Chekhov goes West (Europe 1888-1938)
- 6. Comes the Revolution (Russia 1917-1935)
- 7. Chekhov learns English (United Kingdom and Ireland 1900-1940)
- 8. At home abroad (Europe and England 1917-1938)
- 9. America discovers Chekhov (USA 1900-1944)
- 10. Under duress (Russia 1940-1945)
- 11. Breaking with tradition (Russia 1950-1970)
- 12. Ferment in an age of stagnation (Russia 1970-1990)
- 13. Out of the rubble (Central and Eastern Europe 1945-1985)
- 14. Ut pictura poesis (Italy and France 1945-1985)
- 15. All-American Chekhov (USA 1950-1995)
- 16. Chekhov without tears (United Kingdom 1950-1993)
- 17. Chekhov sans frontieres (The world, 1900-1995)
- 18. The perestroika of Chekhov (Eastern Europe and Russian Federation 1989-1994)
- Notes
- Index of Chekhov productions
- Index of titles and characters
- Index of proper names.
by "Nielsen BookData"