Arvo Pärt
著者
書誌事項
Arvo Pärt
（Oxford studies of composers）
Oxford University Press, 1997
- : cloth
- : pbk
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注記
List of works by Arvo Pärt: p. 208-210
Discography: p. 213-215
Includes bibliographical references (p. 211-212) and index
内容説明・目次
- 巻冊次
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: cloth ISBN 9780198165507
内容説明
The music of the Estonian-born composer Arvo Part is a unique and powerful voice in the contemporary world. Using a tonal idiom based on a mixture of scales and triads, Part created a style that he calls "tintinnabuli". Listening to it, one is reminded of the passionate tranquility of some Russian icon, or of certain memorable scenes in the films of Andrei Tarkovsky. In this book Paul Hillier explores Part's "tintinnabuli" works in some considerable depth. He also examines the music of Part's earlier, somewhat neglected serial period, and charts the composer's steady evolution towards the "abstract tonality" of his later years. A biographical chapter and discussion of topics such as Russian Orthodox spirituality, minimalism and the influence of early music are also included. Hillier also draws on his own experience of working with the composer to offer thoughts on various performance issues.
- 巻冊次
-
: pbk ISBN 9780198166160
内容説明
The music of the Estonian-born composer Arvo Part is a unique and powerful voice in the contemporary world. Using a tonal idiom based on a mixture of scales and triads, Part created a style that he calls `tintinnabuli'. Listening to it, one is reminded of the passionate and tranquility of some Russian icon, or of certain memorable scenes in the films of Andrei Tarkovsky.
In this book, the first full-length study of Part, Paul Hillier explores the tintinnabuli works in considerable depth. He also examines the music of Part's earlier, somewhat neglected serial period, and charts the composer's steady evolution towards the `abstract tonality' of his later years.
In addition, a biographical chapter and discussion of topics such as Russian Orthodox spirituality, minimalism, and the influence of early music, combine to make this a substantial introduction to Part's music. Hillier also draws on his own experience of working with the composer to offer thoughts on various performance issues.
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