Ethnicity and the American short story
Author(s)
Bibliographic Information
Ethnicity and the American short story
(Garland reference library of the humanities, v. 1940 . Wellesley studies in critical theory,
Garland Pub., 1997
Available at 18 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references
Description and Table of Contents
Description
How do different ethnic groups approach the short story form? Do different groups develop culture-related themes? Do oral traditions within a particular culture shape the way in which written stories are told? Why does the community loom so large in ethnic stories? How do such traditional forms as African American slave narratives or the Chinese talk-story shape the modern short story? Which writers of color should be added to the canon? Why have some minority writers been ignored for such a long time? How does a person of color write for white publishers, editors, and readers?
Each essay in this collection of original studies addresses these questions and other related concerns. It is common knowledge that most scholarly work on the short story has been on white writers: This collection is the first work to specifically focus on short story practice by ethnic minorities in America, ranging from African Americans to Native Americans, Chinese Americans to Hispanic Americans. The number of women writers discussed will be of particular interest to women studies and genre studies researchers, and the collections will be of vital interest to scholars working in American literature, narrative theory, and multicultural studies.
Table of Contents
- Chapter 1 Identity in Community in Ethnic Short Story Cycles: Amy Tan's The Joy Luck Club, Louise Erdrich's Love Medicine, Gloria Naylor's The Women of Brewster Place, Rocio G. Davis
- Chapter 2 Marking Race/Marketing Race: African American Short Fiction and the Politics of Genre, 1933-1946, Bill Mullen
- Chapter 3 Womanist Storytelling: The Voice of the Vernacular, Madelyn Jablon
- Chapter 4 A Minor Revolution: Chicano/a Composite Novels and the Limits of Genre, Margot Kelley
- Chapter 5 Resistance and Reinvention in Sandra Cisneros' Woman Hollering Creek, Susan E. Griffin
- Chapter 6 Healing Ceremonies: Native American Stories of Cultural Survival, Linda Palmer
- Chapter 7 Asian American Short Stories: Dialogizing the Asian American Experience, Qun Wang
- Chapter 8 The Invention of Normality in Japanese American Internment Narratives, John Streamas
- Chapter 9 No Types of Ambiguity: Teaching Chinese American Texts in Hong Kong, Hardy C. Wilcoxon
- Chapter 10 "Wavering" Images: Mixed-Race Identity in the Stories of Edith Eaton/Sui Sin Far, Carol Roh-Spaulding
- Chapter 11 Resistance and Reclamation: Hawaii "Pidgin English" and Autoethnography in the Short Stories of Darrell H. Y. Lum, Gail Y. Okawa
- Chapter 12 Conflict over Privacy in Indo-American Short Fiction, Laurie Leach
- Chapter 13 Re-Orienting the Subject: Arab American Ethnicity in Ramzi M. Salti's The Native Informant: Six Tales of Defiance from the Arab World, Chris Wise
- Chapter 14 The Naming of Katz: Who Am I? Who Am I Supposed to Be? Who Can I Be? Passing, Assimilation, and Embodiment in Short Fiction by Fannie Hurst and Thyra Samter Winslow with a Few Jokes Thrown in and Various References to Other Others, Susan Koppelman
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