Impressions of French modernity : art and literature in France, 1850-1900

著者

    • Hobbs, Richard

書誌事項

Impressions of French modernity : art and literature in France, 1850-1900

edited by Richard Hobbs

Manchester University Press, 1998

  • : pbk

大学図書館所蔵 件 / 全14件

この図書・雑誌をさがす

注記

Includes bibliographical references and index

内容説明・目次

巻冊次

ISBN 9780719048951

内容説明

Investigates French modernity through painting, sculpture, the novel, diaries, dance, poetry, criticism and theory. This modernity grew out of a rapidly changing world, with dramatic urban transformation. The experiences and impressions of individuals faced with this modern world engendered a new artistic genre. Beginning with Delacroix, Baudelaire and Gautier, this text moves forward to Manet, Degas and Mallarme through a broad sweep of works of arts and literature. Its three main sections identify particular features of modernity: impressions of the Second Empire; innovations in form found in verbal and visual works of art throughout the period 1850-1900; and problems of identity surrounding the figure of the artist.

目次

  • Encounters with modern life: a painter's impressions of modernity - Delacroix, citizen of the 19th century, Michele Hannoosh. Second Empire impressions: curiosite, John House
  • on his knees to the past? Gautier, Ingres and forms of modern art, James Kearns
  • "Le peintre de la vie moderne" and "La peinture de la vie ancienne", Paul Smith. Innovating forms: matter for reflexion - 19th-century French art critics' quest for modernity in sculpture, David Scott
  • visual display in the realist novel - "l'aventure du style"
  • dirt and desire - troubled waters in realist practice, Alan Krell. Modernity and identity: the dancer as woman - Loie Fuller and Stephanie Mallarme, Dee Reynolds
  • the "atelier" novel - painters as fiction, Joy Newton
  • to move the eye - impressionism, symbolism and well-being, circa 1891, Richard Schiff.
巻冊次

: pbk ISBN 9780719052873

内容説明

Critical theory is one of the most important and exciting areas within the study of international relations. Its purpose is not only to describe how the world operates but also to help us imagine how we might achieve a more equitable and sustainable way of life. Presenting key concepts and thinkers, notably Theodor Adorno and Michel Foucault, this book provides an evaluation of the field and suggests how critical thinking can contribute to confronting the challenges of the twenty-first century. It argues that current critiques of critical theory in international relations can only be overcome if we engage with ideas from outside of the western tradition. -- .

目次

  • Encounters with modern life: a painter's impressions of modernity - Delacroix, citizen of the 19th century, Michele Hannoosh. Second Empire impressions: curiosite, John House
  • on his knees to the past? Gautier, Ingres and forms of modern art, James Kearns
  • "Le peintre de la vie moderne" and "La peinture de la vie ancienne", Paul Smith. Innovating forms: matter for reflexion - 19th-century French art critics' quest for modernity in sculpture, David Scott
  • visual display in the realist novel - "l'aventure du style"
  • dirt and desire - troubled waters in realist practice, Alan Krell. Modernity and identity: the dancer as woman - Loie Fuller and Stephanie Mallarme, Dee Reynolds
  • the "atelier" novel - painters as fiction, Joy Newton
  • to move the eye - impressionism, symbolism and well-being, circa 1891, Richard Schiff.

「Nielsen BookData」 より

詳細情報

ページトップへ