The theatre of García Lorca : text, performance, psychoanalysis

著者

書誌事項

The theatre of García Lorca : text, performance, psychoanalysis

Paul Julian Smith

（Cambridge studies in Latin American and Iberian literature）

Cambridge University Press, 1998

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注記

Includes bibliographical references (p. 172-181) and index

内容説明・目次

内容説明

The Theatre of Garcia Lorca offers radical new readings of his major plays, drawing on cultural studies, women's and gay studies, psychoanalysis, and previously unexamined archival material. It provides fascinating historical accounts of productions in different times and places, from New York in the 1930s to Madrid in the 1980s. It also juxtaposes Lorca with major figures such as Gregorio Maranon, Langston Hughes, Andre Gide, and Lluis Pasqual, enabling us to see his theatre in a new light. In addition, the book presents a new psychoanalytic reading of the plays, which returns to Freud's early clinical texts. Examining the complex and productive intersection of history and fantasy that is characteristic both of Garcia Lorca's theatre and of the cult to which it has given rise, this study offers a thorough reassessment of Lorca's work.

目次

  • Introduction
  • Text, performance, psychoanalysis
  • 1. Yerma and the doctors: Garcia Lorca, Maranon, and the anxiety of bisexuality
  • 2. Black Wedding: Garcia Lorca, Langston Hughes, and the translation of introjection
  • 3. Poet in Paris: Asi que pasen cinco anos (When Five Years Pass), Corydon, and the truth of anamnesis
  • 4. Garcia Lorca and the socialists: subsidised cinema, Pasqual's public, and the identification of affect
  • Conclusion
  • 'Doing Lorca'.

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