Visions of Ryukyu : identity and ideology in early-modern thought and politics
Author(s)
Bibliographic Information
Visions of Ryukyu : identity and ideology in early-modern thought and politics
University of Hawai'i Press, c1999
- : cloth
Available at 56 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
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Note
Includes bibliographical references (p. [201]-207) and index
Contents of Works
- The status of Ryukyu and its relations with Japan and China
- Looking North and looking West : Shō Shōken and Tei Junsoku
- Empowering Ryukyuans : the theoretical foundations of Sai On's Ryukyu
- Re-creating Ryukyu : Sai On and his critics
- Contested visions of Sai On's Ryukyu
Description and Table of Contents
Description
Between 1609 and 1879, the geographical, political, and ideological status of the Kingdom of Ryukyu (modern Okinawa) was characterized by its ambiguity. It was subordinate to its larger neighbors, China and Japan, yet an integral part of neither. In this innovative and provocative study, Gregory Smits explores early-modern perceptions of Ryukyu and their effect on its political culture and institutions. He describes the major historical circumstances that informed early-modern discourses of Ryukyuan identity and examines the strategies used by leading intellectual and political figures to fashion, promote, and implement their visions of Ryukyu. Visions of Ryukyu advances a new interpretation of Ryukyuan history. Rather than regarding early-modern Ryukyu as an appendage of China or Japan, it places the kingdom at the center, highlighting Ryukyuan subjectivity and agency and giving historical depth to modern and contemporary debates on Okinawan identity.
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