Framed visions : popular culture, Americanization, and the contemporary German and Austrian imagination
著者
書誌事項
Framed visions : popular culture, Americanization, and the contemporary German and Austrian imagination
（Social history, popular culture, and politics in Germany）
University of Michigan Press, c1998
- : pbk
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注記
Includes bibliographical references (p. 215-231) and index
内容説明・目次
- 巻冊次
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: pbk ISBN 9780472085606
内容説明
Framed Visions analyzes the pivotal role American mass media and popular culture have played in shaping the political, social, and psychological identity of postwar Germans and Austrians. Through detailed readings of films, novels, plays, and poems of a variety of contemporary artists--including Rainer Werner Fassbinder, Wim Wenders, Elfriede Jelinek, Herbert Achternbusch, Monika Treut, Peter Handke, and Rolf Dieter Brinkmann--Gerd Gemunden reveals the paradoxical stance of this generation toward American politics and Hollywood aesthetics. On the one hand, they are pulled toward a culture that has shaped childhood images, tastes and desires; on the other, they reject American politics and the colonizing effect of its mass culture.
In contrast to most scholarship about the reception of U.S. culture abroad, this study underscores the imaginary relation of contemporary German and Austrian artists to America. Topics such as "Americanization" and "cultural imperialism" are therefore treated not as a foreign principle imposed from the outside but as ways that German and Austrian artists have tried to come to terms with their own problematic culture and history. Gemunden's study elucidates how the culture of the United States has been mapped in contradictory ways onto questions of national and cultural identity in Germany and Austria over the last thirty years.
Gerd Gemunden is Assistant Professor of German and Comparative Literature, Dartmouth College.
- 巻冊次
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ISBN 9780472109470
内容説明
Framed Visions analyzes the pivotal role American mass media and popular culture have played in shaping the political, social, and psychological identity of postwar Germans and Austrians. Through detailed readings of films, novels, plays, and poems of a variety of contemporary artists--including Rainer Werner Fassbinder, Wim Wenders, Elfriede Jelinek, Herbert Achternbusch, Monika Treut, Peter Handke, and Rolf Dieter Brinkmann--Gerd Gemunden reveals the paradoxical stance of this generation toward American politics and Hollywood aesthetics. On the one hand, they are pulled toward a culture that has shaped childhood images, tastes and desires; on the other, they reject American politics and the colonizing effect of its mass culture.
In contrast to most scholarship about the reception of U.S. culture abroad, this study underscores the imaginary relation of contemporary German and Austrian artists to America. Topics such as "Americanization" and "cultural imperialism" are therefore treated not as a foreign principle imposed from the outside but as ways that German and Austrian artists have tried to come to terms with their own problematic culture and history. Gemunden's study elucidates how the culture of the United States has been mapped in contradictory ways onto questions of national and cultural identity in Germany and Austria over the last thirty years.
Gerd Gemunden is Assistant Professor of German and Comparative Literature, Dartmouth College.
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