Orientals : Asian Americans in popular culture
Author(s)
Bibliographic Information
Orientals : Asian Americans in popular culture
（Asian American history and culture series）
Temple University Press, 1999
- : cloth
- : pbk
Available at / 68 libraries
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Graduate School of Asian and African Area Studies, Kyoto Universityアジア専攻
: clothCOE-SE||334.453||Lee||0004776000047760
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Note
Includes bibliographical references (p. 233-256) and index
Description and Table of Contents
Description
Sooner or later every Asian American must deal with the question \u0022Where do you come from?\u0022 It is probably the most familiar if least aggressive form of racism. It is a tip-off to the persistent notion that people of Asian ancestry are not real Americans, that \u0022Orientals\u0022 never really stop being loyal to their foreign homeland, no matter how long they or their families have been in this country. Confronting the cultural stereotypes that have been attached to Asian Americans over the last 150 years, Robert G. Lee seizes the label \u0022Oriental\u0022 and asks where it came from. The idea of Asians as mysterious strangers who could not be assimilated into the cultural mainstream was percolating to the surface of American popular culture in the mid-nineteenth century, when Chinese immigrant laborers began to arrive in this country in large numbers. Lee shows how the bewildering array of racialized images first proffered by music hall songsters and social commentators have evolved and become generalized to all Asian Americans, coalescing in particular stereotypes.
Whether represented as Pollutant, Coolie, Deviant, Yellow Peril, Model Minority, or Gook, the Oriental is portrayed as alien and a threat to the American family -- the nation writ small. Refusing to balance positive and negative stereotypes, Lee connects these stereotypes to particular historical moments, each marked by shifting class relations and cultural crises. Seen as products of history and racial politics, the images that have prevailed in songs, fiction, films, and nonfiction polemics are contradictory and complex. Lee probes into clashing images of Asians as (for instance) seductively exotic or devious despoilers of (white) racial purity, admirably industrious or an insidious threat to native laborers. When Lee dissects the ridiculous, villainous, or pathetic characters that amused or alarmed the American public, he finds nothing generated by the real Asian American experience; whether they come from the Gold Rush camps or Hollywood films or the cover of Newsweek, these inhuman images are manufactured to play out America's racial myths. Orientals comes to grips with the ways that racial stereotypes come into being and serve the purposes of the dominant culture.
Table of Contents
CONTENTS Preface: Where Are You From? Introduction: Yellowface 1 The "Heathen Chinee" on God's Free Soil 2 The Coolie and the Making of the White Working Class 3 The Third Sex 4 Inner Dikes and Barred Zones 5 The Cold War Origins of the Model Minority 6 The Model Minority as Gook 7 After LA 8 Disobedient Citizenship: Deconstructing the Oriental Notes Index
by "Nielsen BookData"