Shakespeare's mystery play : the opening of the Globe Theatre 1599
著者
書誌事項
Shakespeare's mystery play : the opening of the Globe Theatre 1599
Manchester University Press, 1999
- : pbk
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注記
Includes bibliographical references (p. 278-286) and index.
内容説明・目次
- 巻冊次
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ISBN 9780719055447
内容説明
Through considerable detective work, this work sets out to show that "Julius Caesar" was the first play performed at the new Globe Theatre on 12 June 1599. Drawing on many areas of expertise, which are rarely allied in Shakespeare scholarship to such an extent, including biblical, liturgical, social and theatrical history, the author sheds new light not only on "Julius Caesar" but on a variety of accepted beliefs. These include: why Hamlet was not crowned king when his father died; why Brutus would not swear to murder Caesar; why the Elizabethan authorities retained the Julian calendar; and why the orthodox dates of the first composition of both "Twelfth Night" and "Hamlet" can be called into question.
目次
- Part 1 The building of the Globe and the Elizabethan calendar controversy: building Shakespeare's Globe
- Julius Caesar and the Elizabethan calendar controversy
- calendrical markers in "Julius Caesar"
- temporal markers to mid-June 1599 in "Julius Caesar"
- Shakespeare's "Corpus Christi" archetypre Part 2 Endemic time confusion in "Julius Caesar": the web of Caesar's time
- Shakespeare's vernal equinox gambit - "Here lies the East..."
- why the "Sunne of Rome" set at three o'clock. Part 3 Shakespeare's "Julius Caesar" and the moveable feast discordnaces of 1599: the disrupted Easter cycle of 1599
- Shrovetide, Saint Valentine's Eve, and the Roman Lupercal
- Ash Wednesday, the night of the Lupercal and the eve of the Ides of March
- Good Friday, the Ides of March, and the day Christ died
- Shakespeare's Third day, the Book of Samuel and the Mass of the Catechumens
- Holy Easter, and Shakespeare's April Fools. Part 4 Shakespeare among the assassins: the writer who changed the world. Part 5 Evidence of Calendrical markers in other plays of Shakespeare: prolegomenon for a mode of criticism
- Illyria's faulty calendar
- real time in "Hamlet".
- 巻冊次
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: pbk ISBN 9780719055669
内容説明
This book shows that William Shakespeare was a more personal writer than any of his innumerable commentators have realised. It asserts that numerous characters and events were drawn from the author's life, and puts faces to the names of Jaques, Touchstone, Feste, Jessica, the 'Dark Lady' and others.
Steven Sohmer explores aspects of Shakespeare's plays and sonnets that have been hitherto overlooked or misinterpreted in an effort to better understand the man and his work. If you've ever wondered who Pigrogromitus was, or why Jaques spies on Touchstone and Audrey - or what the famous riddle M.O.A.I. stands for - this is the book for you. -- .
目次
- Part 1 The building of the Globe and the Elizabethan calendar controversy: building Shakespeare's Globe
- Julius Caesar and the Elizabethan calendar controversy
- calendrical markers in "Julius Caesar"
- temporal markers to mid-June 1599 in "Julius Caesar"
- Shakespeare's "Corpus Christi" archetypre Part 2 Endemic time confusion in "Julius Caesar": the web of Caesar's time
- Shakespeare's vernal equinox gambit - "Here lies the East..."
- why the "Sunne of Rome" set at three o'clock. Part 3 Shakespeare's "Julius Caesar" and the moveable feast discordnaces of 1599: the disrupted Easter cycle of 1599
- Shrovetide, Saint Valentine's Eve, and the Roman Lupercal
- Ash Wednesday, the night of the Lupercal and the eve of the Ides of March
- Good Friday, the Ides of March, and the day Christ died
- Shakespeare's Third day, the Book of Samuel and the Mass of the Catechumens
- Holy Easter, and Shakespeare's April Fools. Part 4 Shakespeare among the assassins: the writer who changed the world. Part 5 Evidence of Calendrical markers in other plays of Shakespeare: prolegomenon for a mode of criticism
- Illyria's faulty calendar
- real time in "Hamlet".
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