Consumers and luxury : consumer culture in Europe 1650-1850

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書誌事項

Consumers and luxury : consumer culture in Europe 1650-1850

edited by Maxine Berg and Helen Clifford

Manchester University Press, 1999

  • : hbk
  • : pbk

大学図書館所蔵 件 / 51

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注記

Includes bibliographical references and index

内容説明・目次

巻冊次

: hbk ISBN 9780719052736

内容説明

From tulips to jewels, gastronomy to silver, coffee to colours, that late 17th century and the 18th century saw an explosion of consumer and luxury objexts and a growing demand for their consumption by a widening section of the population. This interdisciplinary volume brings together a group of scholars to chart the rise of consumer culture in Europe during this period. Essays are included on France and Holland, but the focus is primarily on Britain. Themes discussed include art markets, collecting and display, and are set alongside those of value and luxury, and consumer markets and the public sphere.

目次

Part I Luxury and necessity: Adam Smith's accommodation of "altogether endless" desires, Neil De Marchi, sans-culottes sans cafe sans tabac - shifting realms of necessity and luxury in 18th century France, Colin Jones and Rebecca Spang, new commodities luxuries and their consumers in 18th century England, Maxine Berg. Part II Novelty and imitation: in the name of the tulip - why speculation? Marina Bianchi, colour and colour making in the 18th century, Sarah Lowengard. Part III Public and private: jewellery in the 18th century, Marcia Pointon, a commerce with things - estimations of the worth and workmanship of precious metalwork in early modern England, Helen Clifford. Part IV Excess, taste and fashion: making science of taste - revolution the learned life and invention of gastronomie, Emma Spray, "quality always distinguishes itself" - Louis Hippolyte Leroy abd the luxury clothing industry in early 19th century Paris, Fiona Ffoulkes. Part V Identity and display: romanticism and the urge to consume in the first half of the 19th century, Stana Nenadic, the National Gallery in London and its public, Charlotte Klonk.
巻冊次

: pbk ISBN 9780719052743

内容説明

Rethinking Right-Wing Women explores the institutional structures for and the representations, mobilisation, and the political careers of women in the British Conservative Party since the late 19th century. From the Primrose League (est.1883) to Women2Win (est.2005), the party has exploited women's political commitment and their social power from the grass-roots to the heights of the establishment. Yet, although it is the party that extended the equal franchise, had the first woman MP to sit Parliament, and produced the first two women Prime Ministers, the UK Conservative Party has developed political roles for women that jar with feminist and progressive agendas. Conservative women have tended to be more concerned about the fulfilment of women's duties than the realisation of women's rights. This book tackles the ambivalences between women's politicisation and women's emancipation in the history of Britain's most electorally successful and hegemonic political party. -- .

目次

Part I Luxury and necessity: Adam Smith's accommodation of "altogether endless" desires, Neil De Marchi, sans-culottes sans cafe sans tabac - shifting realms of necessity and luxury in 18th century France, Colin Jones and Rebecca Spang, new commodities luxuries and their consumers in 18th century England, Maxine Berg. Part II Novelty and imitation: in the name of the tulip - why speculation? Marina Bianchi, colour and colour making in the 18th century, Sarah Lowengard. Part III Public and private: jewellery in the 18th century, Marcia Pointon, a commerce with things - estimations of the worth and workmanship of precious metalwork in early modern England, Helen Clifford. Part IV Excess, taste and fashion: making science of taste - revolution the learned life and invention of gastronomie, Emma Spray, "quality always distinguishes itself" - Louis Hippolyte Leroy abd the luxury clothing industry in early 19th century Paris, Fiona Ffoulkes. Part V Identity and display: romanticism and the urge to consume in the first half of the 19th century, Stana Nenadic, the National Gallery in London and its public, Charlotte Klonk.

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