Window shopping : cinema and the postmodern
著者
書誌事項
Window shopping : cinema and the postmodern
University of California Press, 1994, c1993
- : pbk
大学図書館所蔵 全13件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"First paperback printing 1994"- T.p. verso
Includes bibliographical references and index
内容説明・目次
内容説明
Departing from those who define postmodernism in film merely as a visual style or set of narrative conventions, Anne Friedberg develops the first sustained account of the cinema's role in postmodern culture. She explores the ways in which nineteenth-century visual experiences--photography, urban strolling, panorama and diorama entertainments--anticipate contemporary pleasures provided by cinema, video, shopping malls, and emerging "virtual reality" technologies. Comparing the visual practices of shopping, tourism, and film-viewing, Friedberg identifies the experience of "virtual" mobility through time and space as a key determinant of postmodern cultural identity. Evaluating the theories of Jameson, Lyotard, Baudrillard, and others, she adds critical insights about the role of gender and gender mobility in the configurations of consumer culture. A strikingly original work, Window Shopping challenges many of the existing assumptions about what exactly postmodern is. This book marks the emergence of a compelling new voice in the study of contemporary culture.
目次
PREFACE
ACKNOWLEDGMENTS
INTRODUCTION LOOKING BACKWARD-AN INTRODUCTION
TO THE CONCEPT OF "POST"
The Past, the Present, the Virtual
Method
The "P" Word
A Road Map
1 THE MOBILIZED AND VIRTUAL GAZE IN MODERNITY:
FLANEURIFLANEUSE
Modernity and the "Panoptic" Gaze
Modernity and the "Virtual" Gaze
The Baudelairean Observer:
The "Mobilized" Gaze of the Flaneur
The Gender of the Observer: The Flaneuse
The "Mobilized" and "Virtual" Gaze
PASSAGE I The Ladies' Paradise by Emile Zola
2 THE PASSAGE FROM ARCADE TO CINEMA
The Commodity-Experience
RE: Construction-The Public Interior/The Private Exterior
The Mobilized Gaze: T award the Virtual
From the Arcade to the Cinema
PASSAGE II A Short Film Is More of a ''Rest Cure''
The Cinema as Time Machine
Window-Shopping Through Time
3 LES Fi.ANEURS/FLANEUSE DU MALL
The Mall
Temporality and Cinema Spectatorship
Spectatorial Flanerie
Cybertechnology: From Observer to Participant
Postmodern Flanerie: To Spatialize Temporality
PASSAGE Ill Architecture: Looking Foward, Looking Backward
4 THE END OF MODERNITY: WHERE IS YOUR RUPTURE?
The Architectural Model
The Cinema and Modernity/Modernism:
The "Avant-Garde" as a Troubling Third Term
Jameson and the Cinematic "Postmodern"
Cinema and Postmodernity
Postmodernity Without the Word
CONCLUSION: SPENDING TIME
POST-SCRIPT: THE FATE OF FEMINISM IN POSTMODERNITY
Warnings at the Post
Postfeminism?
Beyond Indifference
Neither or Both: An Epilogue to the Period of the Plural
NOTES
INDEX
「Nielsen BookData」 より