Life : creative mimesis of emotion : from sorrow to elation : elegiac virtuosity in literature
著者
書誌事項
Life : creative mimesis of emotion : from sorrow to elation : elegiac virtuosity in literature
（Analecta Husserliana : the yearbook of phenomenological research / edited by Anna-Teresa Tymieniecka, v. 62）
Kluwer Academic Publishers, c2000
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Creative mimesis of emotion
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注記
Includes bibliographical references and index
"Published under the auspices of The World Institute for Advanced Phenomenological Research and Learning, A-T. Tymieniecka, president"
内容説明・目次
内容説明
Are emotions, feelings, sentiments not the stuff of literature? There it is where they project their inner logic of aesthetic transmutation; there, beyond the instrument of language that they command. This collection explores how the lyrical virtualities of life-experience and the elegiac style in literature share a common core, lifting the human significance of life from abysmal vitality to esoteric heights, from abysmal grief to a serene reconciliation with destiny. The "elegiac sequence" in the play of emotions, feelings and sentiments brings together life and literary creativity in its transformatory power.
目次
- The Theme. Acknowledgements. Section One: Aesthetic Transmutation of Vital Emotions in Literary Creativity. Two Types of Elegies: Goethe's Rome Elegies and Rilke's Duino Elegies
- A. Giuculescu. Crossblood: Literature and the Drama of Survival
- L. Kimmel. Erlebnis of Story
- D.F. Castro. Longing and the Phenomenon of Loneliness
- J.G. McGraw. Tragedy, Finitude, and the Value-Expressive Dimension
- R.D. Ellis. Causes of Unhappiness in Dickens' Little Dorrit and Fowles' The French Lieutenant's Woman
- R.J. Wilson III. Section Two: Mourning, Remorse, Silence, Mirth in Their Aesthetic Virtualities. The Christian Sappho: Mourning Albertine in Marceline Desbordes-Valmore's `Le Mal du Pays'
- B.S. Watson. Concerned with Oneself and God Alone on Kirkegaard's Concept of Remorse as the Basis for his Literary Theory
- A.C. Canan. The Subtractive and Nihilistic Modes of Silence: Heidegger and Beckett, Wittgenstein and Giacometti
- S. Bindeman. Words of Wonder, Wit, and Well?... Well-Being! T. Raczka. Between Elation and Sorrow: Aesthetic Experience in the Western European Novel
- C. Eykman. Weltschmerz or the Pain of Living
- H.H. Rudnick. Vyacheslav Ivanov's Aesthetic: The Sonnet `Love'
- I. Vayl. The Death of a Significant Other
- G. Backhaus. The Loss of Gregor Samsa and Kafka's Use of Language
- B. Prochaska. Section Three: From Abysmal Sorrow to Ecstatic Joy: The Elegiac Transmutation of Feeling. Ecstasies: Emerson's Experience of Elegy
- M. Cavitch. Representations of Ecstatic Sorrow and Ecstatic Joy
- G.L. Scheper. The Problem of Reconciliation in Remorse: Coleridge's Dramatic Theory and Practice
- J.S. Smith. Elegy Rebuffed by Pastoral Eclogue in Wallace Stevens' `Sunday Morning'
- S. Feshbach. Le Clezio: de l'heritage a l'origine! Etude du proces-verbal a Pawana, le recit d'un secret
- I. Gillet. La Literatura y la Persona Excepcional
- M.J. Marin.
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