The thief, the cross, and the wheel : pain and the spectacle of punishment in medieval and Renaissance Europe
Author(s)
Bibliographic Information
The thief, the cross, and the wheel : pain and the spectacle of punishment in medieval and Renaissance Europe
(Picturing history series)
Reaktion Books, 1999
Available at 10 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 311-343) and index
Description and Table of Contents
Description
When spectators in the Middle Ages examined images of Christ's crucifixion on Mount Calvary, did they ever consider them as representations of capital punishment? This work argues that they did, and traces connections between religious devotion, physical pain, criminal justice and judicial spectatorship, to explain why. The author's focus is not on the crucified Christ as he was represented in altar pieces during the late-medieval and Renaissance eras, but on his criminal counterparts, the Two Thieves of the gospels. Artists in Germany and elsewhere were constrained by church doctrine as to how they could represent Christ's Passion, but were free to explore the most abject of cruelties when they turned to the Thieves. The frequently shocking images of torture and death they depicted - notably the horrific process of breaking on the wheel - were the preferred means of executing contemporary malefactors. Insisting that pain as spectacle was central to the European experience, the author warns of its contemporary re-emergence in the public sphere.
by "Nielsen BookData"